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This ethnography explores how Balinese citizens produce postcolonial intimacy-a complex interaction of claims to proximity and mutuality between themselves and the Dutch under colonialism that continues today. Such claims, Ana Dragojlovic explains, are crucial for the diasporic reconfiguration of kebalian, or Balinese-ness, a concept that encompasses the personal, social, and cultural complexities involved in Balinese identity in Dutch postcolonial society. This identity enables Balinese migrants to see themselves as carriers of unique cultural traditions both promoted by and in disagreement with Dutch cultural values.
This book is a critical response to a range of problems – some theoretical, others empirical – that shape questions surrounding the lived experience of suffering. It explores how moral and ethical questions of personal suffering are experienced, contested, negotiated and institutionalised. Bodies and Suffering investigates the moral labour and significance invested in actions to care for others, or in failing to do so. It also explores circumstances – personal, political and social – under which that which is perceived as non-moral becomes moral. Drawing on case studies and empirical research, Bodies and Suffering examines the idea of the suffering body across different cultures and ...
* AWARDED BEST ANTHOLOGY BY THE ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND *How has Asia been imagined, represented and transferred both literally and visually across linguistic, geopolitical and cultural boundaries? This book explores the shifting roles of those who produce, critique and translate creative forms and practices, for which distinctions of geography, ethnicity, tradition and modernity have become fluid. Drawing on accounts of modern and contemporary art, film, literature, fashion and performance, it challenges established assumptions of the cultural products of Asia.Special attention is given to the role of cultural translators or 'long-distance cultural specialists' whose wo...
Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’. The essays in this book accept Yuliman’s challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia’s artists inhabite...
Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954-1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content...
The Face of AIDS film archive at Karolinska Institutet, Sweden, consists of more than 700 hours of unedited and edited footage, shot over a period of more than thirty years and all over the world by filmmaker and journalist Staffan Hildebrand. The material documents the HIV/AIDS pandemic and includes scenes from conferences and rallies, and interviews with activists, physicians, people with the infection, and researchers. It represents a global historical development from the early years of the AIDS crisis to a situation in which it is possible to live a normal life with the HIV virus. This volume brings together a range of academic perspectives – from media and film studies, medical histo...
In 1998, the Belitung, a ninth-century western Indian Ocean–style vessel, was discovered in Indonesian waters. Onboard was a full cargo load, likely intended for the Middle Eastern market, of over 60,000 Chinese Tang-dynasty ceramics, gold, and other precious objects. It is one of the most significant shipwreck discoveries of recent times, revealing the global scale of ancient commercial endeavors and the centrality of the ocean within the Silk Road story. But this shipwreck also has a modern tale to tell, of how nation-states appropriate the remnants of the past for their own purposes, and of the international debates about who owns—and is responsible for—shared heritage. The commerci...
Silence is crucial to our social world. Responding to the growing scholarly interest in social sciences and humanities for more in-depth engagements with social silence, this book explores what it means to trace silences and to include traces of silences in our scholarly representations. What qualifies as silence, and how does it relate to articulation, to voice, visibility and representation? How can silences be sensed and experienced viscerally as well as narratively? And how do we think with and interpret silences in the face of potential unknowability? Grounded in ethnographic research in the Netherlands, Israel, Turkey, China, and Indonesia, the chapters all contribute to a theorization...
The Shan have been fighting since 1958 for the autonomous state in Southeast Asia they were promised. Jane M. Ferguson articulates Shanland as an ongoing project of resistance, resilience, and accommodation within Thailand and Myanmar, showing how the Shan have forged a homeland and identity during great upheaval.
If Only is a memoir of a nine year old Chinese Indonesian girl growing up in Jakarta in the 1950–60’s. She lost her mother who dies after the sixth attempt to bear a son. If she were a boy, her mother would still be alive. This accusation has tormented her all her life. When her cousin physically assaulted her, her father who despises his five daughters didn’t take any action. Her repressed anger causes, years later, cancer. She overcomes the traumatic and difficult youth by her love of reading. Although coming from a dysfunctional family, she later becomes one of the most popular romance writers in the country. This is her first non-fiction.