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Ministério Público Estratégico
Sobre a obra Ministério Público Estratégico - Violência de Gênero - 1a Ed - 2022 - Volume 1 O Ministério Público como instituição permanente, essencial à função jurisdicional do Estado, incumbido da defesa da ordem jurídica, do regime democrático e dos interesses sociais e individuais indisponíveis, sempre foi campo fértil de ideias e de protagonismos em inúmeras transformações jurídicas e sociais ao longo do tempo. Já a sociedade e o Estado encontram-se em constante movimento, devendo debater questões afetas a todos, sem qualquer tipo de distinção, visando ao aperfeiçoamento e à pacificação do convívio social. Partindo destas premissas, o Ministério Público do...
Violência política contra as mulheres
Este livro é um marco nos estudos sobre gênero, política, mobilização social e direito. O estudo se volta à análise do fenômeno de surgimento recente, embora de prática antiga, que incide contra os direitos de mulheres enquanto sujeitas políticas. Dilma Rousseff e Marielle Franco são casos exemplares da forma cruel com a qual a violência política contra mulheres vem sendo posta em prática em nosso país. Na melhor tradição das pesquisas teórico-empíricas, a obra apresenta o histórico da categoria violência política a partir de marcos histórico-legais que incluem normativas, mas também narrativas de representantes políticas e a descrição densa da violência sofrida p...
Justitia
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Murder, Rape, and Treason
Deeds of arms - formal, limited combats - were an important part of late medieval warrior culture, allowing men-at-arms the chance to display their identities and establish their martial worth before an audience that included their peers, their lords and captains, and the ladies who inspired them. Among the most interesting, unusual and prominent deeds of arms were the judicial duels of the late Middle Ages (14th and 15th centuries). The word "duel" suggests to modern audiences a conflict over honor, but although medieval trials by combat were likewise concerned with issues of reputation and shame, their purpose was judicial: a method of reaching a verdict when other methods could not. If ev...
Cinema Genre
Genre – or 'type' – is a core concept in both film production and the history of film. Genres play a key role in how moviegoers perceive and rate films, and is likely to determine a film's production values and costs. Written in a clear, engaging, jargon-free style, this volume offers a cutting-edge theoretical overview of the topic of genre as practiced in British, American and French film criticism. Organized by a series of simple but fundamental questions, the book uses numerous examples from classic Hollywood cinema (the western, drama, musical comedy, and film noir) as well as some more contemporary examples from European or Asian cinema that are so often neglected by other studies in the field. How do we characterize genre and what are its various functions? In what ways does genre give a film its identity? How do genres emerge? What is the cultural significance of genre and how does it circulate within and across national boundaries? Informative and user-friendly, Moine’s book is accessible to general readers and adapts easily to a wide range of teaching approaches.
Weimar Cinema and After
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on t...
World Radio TV Handbook, 2005
The most comprehensive source available on medium wave, shortwave, FM broadcast, and television broadcast information, this handbook continues to be the ultimate guide for the serious radio listener.
Film/Genre
Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.
This Golden Land
A sweeping historical saga of Australia and a love story of one determined young woman who must choose between the two devoted men she loves. Eighteen-year-old Hannah Conroy has always dreamed of following in her father's footsteps as a healer. But in 19th-century England, the medical profession is closed to women. She sees midwifery as a back door into that world, but her fledgling career is crushed by personal tragedy. Seeking to escape a possible murder conviction in England, Hannah's world is turned upside down as she boards a boat bound for Melbourne. Young and naïve, with some laboratory notes and a handful of medical instruments, she hopes Australia is a place of a new beginning and a fresh start, a place where she can begin a midwife practice. Arriving during a period of enormous change in Australia, Hannah faces a myriad of challenges. Not only must she fight for acceptance as a medical professional, but she also falls in love with and must decide between two men: an American photographer seeking a new life in Australia, and a rowdy outlaw fleeing arrest. This Golden Land presents a love story that neither time nor distance can erase.
Gil Vicente
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