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The Syntax of Portuguese
Portuguese is the second most spoken Romance language in the world, and due to recent interest in comparative syntax, the literature on its syntax has increased exponentially, resulting in exciting discoveries of a range of aspects that have hitherto been overlooked. This book provides a theoretically grounded overview of the major syntactic properties of Portuguese, focusing on the differences between European and Brazilian Portuguese. It shows from a theoretical point of view how different syntactic properties are interconnected by comparing and contrasting the variances between pronominal and agreement systems, null subjects, null complements, and word order. It also highlights how small differences in the specification of syntactic properties may yield quite different dialects. It introduces key theoretical points without technical jargon, making the content accessible to specialist and non-specialists alike. It is essential reading for both academic researchers and students of Portuguese language, comparative syntax, Romance linguistics, and theoretical syntax.
Aí vai meu coração
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The Syntax of Portuguese
A comprehensive look at the syntactic properties of Portuguese, focusing on differences between European and Brazilian Portuguese such as their pronominal and agreement systems, null subjects, null complements and word order. It is essential reading for researchers and students of Portuguese language, Romance linguistics and theoretical syntax.
Portuguese Relative Clauses in Synchrony and Diachrony
This book explores language variation and change from the perspective of generative syntax, based on a case study of relative clauses in contemporary European Portuguese and earlier stages of Portuguese. Adriana Cardoso offers a comparative account of three linguistic phenomena in the synchrony and diachrony of Portuguese-remnant-internal relativization, extraposition of restrictive relative clauses, and appositive relativization-and shows that the changes affecting these structures conspired to reduce the patterns of nominal discontinuity available in the language. Adopting a cross-linguistic perspective, she additionally shows that this series of changes transformed Portuguese from a 'Germanic-like' language, with a wide range of phrasal discontinuities, to a 'non-Germanic type', with more restricted patterns of discontinuity. The volume will be of particular interest to scholars working on Portuguese syntax, but also to Romance linguists and all those interested in historical and comparative syntax more widely.
The Copy Theory of Movement
This volume brings together papers which address issues regarding the copy theory of movement. According to this theory, a trace is a copy of the moved element that is deleted in the phonological component but is available for interpretation at L(ogical) F(orm). Thus far, the bulk of the research on the copy theory has mainly focused on interpretation issues at LF. The consequences of the copy theory for syntactic computation per se and for the syntaxphonology mapping, in particular, have received much less attention in the literature, despite its crucial relevance for the whole architecture of the model. As a contribution to fill this gap, this volume congregates recent work that deals with empirical and conceptual consequences of the copy theory of movement for the inner working of syntactic computations within the Minimalist Program, with special emphasis on the syntaxphonology mapping.
Referring to discourse participants in Ibero-Romance languages
This volume brings together contributions by researchers focusing on personal pronouns in Ibero-Romance languages, going beyond the well-established variable of expressed vs. non-expressed subjects. While factors such as agreement morphology, topic shift and contrast or emphasis have been argued to account for variable subject expression, several corpus studies on Ibero-Romance languages have shown that the expression of subject pronouns goes beyond these traditionally established factors and is also subject to considerable dialectal variation. One of the factors affecting choice and expression of personal pronouns or other referential devices is whether the construction is used personally o...
Melhores crônicas Marcos Rey
Marcos Rey lida com arquétipos da narrativa moderna- a disponibilidade existencial das personagens, sempre prontas para a aventura, de preferência noturna, o companheirismo fácil, sem vínculos profundos entre homens irresponsáveis e ambiguamente ternos; a solidão amorosa, a mobilidade do lar para a rua e a volta ao lar como abrigo ou refúgio, fuga do impasse, as paixões sem saída, simulacro de armadilhas. Fábio Lucas Trata?se de um escritor clássico, queiram ou não certos críticos, e por certo Marcos Rey vai sobreviver a eles. Clássico. Quantos são os escritores deste país que podem ostentar o fato de terem criado um universo absolutamente pessoal, coerente, em pleno desenvol...
Manual of Brazilian Portuguese Linguistics
This manual is the first comprehensive account of Brazilian Portuguese linguistics written in English, offering not only linguists but also historians and social scientists new insights gained from the intensive research carried out over the last decades on the linguistic reality of this vast territory. In the 20 overview chapters, internationally renowned experts give detailed yet concise information on a wide range of language-internal as well as external synchronic and diachronic topics. Most of this information is the fruit of large-scale language documentation and description projects, such as the project on the linguistic norm of educated speakers (NURC), the project “Grammar of spok...
Maria Martins
“Eu sei que minhas Deusas e sei que meus Monstros sempre te parecerão sensuais e bárbaros. Eu sei que você gostaria ver reinar em minhas mãos a medida imutável dos elos eternos”.Assim se apresentava a escultora Maria Martins no catálogo da exposição Amazônia, na Valentine Gallery, em Nova Iorque, que encantou os maiores expoentes do movimento surrealista nos anos quarenta. Também pode ser uma mensagem a seu amante, Marcel Duchamp. Tudo é possível na trajetória da talentosa, misteriosa e famosa embaixatriz brasileira.
