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Adios, Happy Homeland!
This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self.
The Apartment
From the critically acclaimed author of In Cuba I Was a German Shepherd comes a new novel about the search for freedom and the power of community that spans decades of residents in one Florida apartment The Helena is an art deco apartment building that has witnessed the changing face of South Miami Beach for seventy years, observing the lives housed within. Among those who have called apartment 2B home are a Cuban concert pianist who performs in a nursing home; the widow of an intelligence officer raising her young daughter alone; a man waiting on a green card marriage to run its course so that he can divorce his wife and marry his lover, all of whom live together; a Tajik building manager with a secret identity; and a troubled young refugee named Lenin. Each tenant imbues 2B with energy that will either heal or overwhelm its latest resident, Lana, a mysterious woman struggling with her own past. Examining exile, homesickness, and displacement, The Apartment asks what—in our violent and lonely century—do we owe one another? If alone we are powerless before sorrow and isolation, it is through community and the sharing of our stories that we may survive and persevere.
In Cuba I was a German Shepherd
A collection of short stories from the heart of Castro's Cuba illuminates the wit and powerful insight of this Pushcart Prize-winning Cuban-American writer. Reprint. 35,000 first printing.
Women of Florida Fiction
Florida as symbol and myth is the subject of this collection of new critical essays exploring fiction written by female Floridian authors. In the words of author Karen Russell, the Sunshine State is "virtually past-less, seasons are out of the question, and it's built on a primordial park full of monsters." Discussing the state as setting, the essayists--also Floridians--suggest that it is a creation of the stories told about it. Each of the book's 12 chapters covers one author, including a brief biography followed by one (and twice, two) essays on some of the author's works. The book's final section includes interviews with authors Lynne Barrett, Jeannine Capo Cruz, Vicki Hendricks and Angela Hunt.
Cuban-American Literature and Art
This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.
In Cuba I Was a German Shepherd
Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).
Florida on the Boil
Provides incisive reviews of more than 300 recommended novels and short-story collections set in Florida. Numerous Florida fiction writers, past and present, are represented in the book, including such diverse talents as Edna Buchanan, Harry Crews, Connie May Fowler, and others.--Excerpted from book cover.
Let's Hear Their Voices
The first anthology of poetry, prose, and drama by second-generation Cuban American writers. Let’s Hear Their Voices brings together works by ten distinguished and emerging Cuban American writers of the “second generation”—writers who were born between 1960 and the mid-1980s in the United States to Cuban parents or have a mixed ethnic background. Called “ABCs” (American-Born Cubans) or“AmeriCubans,” these writers experiment with different formal approaches and lace their work with Cuban Spanish to give voice to hybrid identities and cultural legacies within the contemporary multicultural United States. An introduction by Iraida H. López identifies key tropes in their poetry,...
Identity, Memory, and Diaspora
Offers a detailed picture of the lives of Cuban Americans through interviews with artists, writers, and philosophers. This fascinating volume contains interviews with nineteen prominent Cuban-American artists, writers, and philosophers who tell their stories and share what they consider important for understanding their work. Struggling with issues of Cuban-American identity in particular and social identity in general, they explore such questions as how they see themselves, how they have dealt with the diaspora and their memories, what they have done to find a proper place in their adopted country, and how their work has been influenced by the experience. Their answers reveal different pers...
Archival Dissonance in the U.S. Cuban Post-Exile Novel
Archival Dissonance in the U.S. Cuban Post-Exile Novel documents a body of emergent US Cuban literature published in Spanish and English beyond the scope and historicity of exile. Focusing on the work of Roberto G. Fernández, Ana Menéndez, and Antonio Benítez Rojo, the book proposes that, rather than reinforce US Cuban exile ethnic identity developed between 1960 and the 1980s, or demonstrate a tendency toward cultural assimilation (“Americanization”) over three generations of writers, the discussed historical novels incorporate Caribbean and Latin American archival sources and interpretive frameworks in order to develop a critical and investigative approach to the politics of Cuban e...
