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Derrida, Myth and the Impossibility of Philosophy
Philosophy, Aesthetics And Cultural Theory Is An Interdisciplinary Series In Continental Philosophy, Cultural Theory, And The Arts, Edited By Hugh J. Silverman, Stony Brook University, New York, USA `[This] is a compelling study of the intimate, complex, and often unexpected aspects of the relationship between philosophy and myth ... This is an eloquent, forceful, and altogether timely contribution in a world in which new myths purport to be unquestionable, while philosophy bides its time in self-absorbed conceptual retreat. Its publication marks a new step in deconstructive thinking, after which deconstruction will never again be the same.' `This book is a gift precisely in the Derridean se...
The Re-Enchantment of the World
Iinfluential French Philosopher Bernard Stiegler lays out his thinking on capitalism, technology and culture and his Ars Industrialis organisation.
Spring
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Proceedings and Addresses of the American Philosophical Association
List of members in v. 1-
Romans and the Power of the Believer
Richard J. Britton uses the critical theory of Jacques Derrida, Giorgio Agamben, and others to examine the financial, gift, and olive tree metaphors of Paul’s Letter to the Romans. Drawing upon papyri about money, gifts, and friendship, Greek and Roman farming handbooks, and later sources, including the Book of Mormon and writings from colonized places, Britton questions the way some people understand faith, grace, and identity in the New Testament and beyond. Britton asserts that the believer is not a passive recipient of God’s grace and righteousness but rather an interpreter, reader, and decision maker actively involved in reciprocal exchange and enhancement of God’s eschatological and soteriological project. Believers, he concludes, negotiate meaning through their own interaction with texts and traditions in combination with their own personal relationship with the divine and the world. Turning to the contemporary world, Britton contends that, if we want to upend the oppression of established religion and ideology, we must first appreciate the believer as a powerful and responsible agent within God’s cosmic project.
Politics of Deconstruction
The book offers a new introduction to Jacques Derrida and to Deconstruction as an important strand of Continental Philosophy. From his early writings on phenomenology and linguistics to his later meditations on war, terrorism, and justice, Jacques Derrida (1930–2004) achieved prominence on an international scale by addressing as many different audiences as he did topics. Yet despite widespread acclamation, his work has never been considered easy. Rendering accessible debates that marked more than four decades of engagement and inquiry, Susanne Lüdemann traces connections between the philosopher's own texts and those of his many interlocutors, past and present. Unlike conventional introduc...
And the Sages Did Not Know
This book explores the question: How did the rabbis of the first two centuries CE approach bodies that are born with variant genitals—bodies that they could not identify as definitely male or female? The rabbis had constructed a system in which every behavior was governed by one’s sex/gender, posing a conundrum both for people who did not fit into that model and for the rabbinic enterprise itself. Despite this, their texts contain dozens of references to intersex. And the Sages Did Not Know examines the rabbis’ legal texts and concludes that they had multiple approaches to intersex people. Sarra Lev analyzes seven different rabbinic responses to this conflict of their own making. Throu...
Forms of Dictatorship
An intra-ethnic study of Latina/o fiction written in the United States from the early 1990s to the present, Forms of Dictatorship examines novels that depict the historical reality of dictatorship and exploit dictatorship as a literary trope. This literature constitutes a new sub-genre of Latina/o fiction, which the author calls the Latina/o dictatorship novel. The book illuminates Latina/os' central contributions to the literary history of the dictatorship novel by analyzing how Latina/o writers with national origin roots in the Caribbean, Mexico, and Central and South America imaginatively represent authoritarianism. The novels collectively generate what Harford Vargas terms a "Latina/o co...
