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The Sculptor as Observer
Edited by Laurence Kardish. Text by Laurence Kardish, Kelly Sidley, Michael T. Taussig.
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One literally can't argue about taste, but there is certainly a lot to say about it. How is it articulated within the spectrum of our senses? And how are perceptions of taste created in the first place? Can taste be manipulated? How can taste be verbalized? What role does the experience of taste play in social interaction and as artistic material? After the Museum Tinguely addressed visitors' senses with Belle Haleine: The Scent of Art and Please Touch: Art's Sense of Touch, an interdisciplinary symposium on taste and food culture followed in early 2019, which put the many fields of human activity affected by taste to the test. This book contains the resulting essays written from the points of view of art and cultural history, as well as psychology, linguistics, and biochemistry.
Vorn--at the junction of book and magazine. The periodical Vorn has received many accolades since it was first published by the renowned fashion photographer Joachim Baldauf in 2004, including multiple Lead Awards. Defying simple categorization as a magazine or a book, Vorn captivates its readers with a sophisticated selection of cutting edge artistic perspectives Its relentless and idiosyncratic aesthetic is showcased in a juxtaposition of photo spreads, experimental texts, and visual fragments--all of which are a testament to the quality of the crossover publication. Offering inspiring contemporary reading, Vorn not only works with leading photographers, artists, designers, and authors, bu...
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InSite está dedicado a la realización de proyectos artísticos nacidos de la colaboración entre organizaciones no lucrativas e instituciones públicas en la región Tijuana-San Diego. Operando con una estructura única basada en la participación activa de instituciones culturales y educativas en México y EEUU, inSite pretende promover la investigación artística hacia la activación del espacio urbano. El eje del proyecto se basa en un periodo de residencias periódicas de los artistas en el área durante un periodo de dos años, culminando con la inserción de obras en espacios de dominio público en ambas ciudades. La obra documenta dos componentes claves del proyecto, Intervenciones (con 22 propuestas artísticas) y Escenarios.
Presents archival documents of Brancusi's second solo exhibition at Brummer Gallery, New York, which opened on November 17, 1933.