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This book demonstrates how Fredric Jameson’s understanding of the novel form has heavily influenced his work as a critical theorist. It contends that Jameson’s idiosyncratic engagements with the literary canon have had a major impact on his theoretical frameworks, particularly in his sense of historical change. The book investigates Jameson’s predominant literary interests in chapters focusing on realism, modernism, postmodernism and genre fiction. These readings provide fresh perspectives on Jameson’s career, ones that look beyond his most famous contributions to cultural theory and interpretive practice. Through this work, the book also rethinks the criticism that has surrounded Jameson, while suggesting ways in which his literary interpretation remains useful for contemporary reading practices.
This propulsive post-apocalyptic thriller “in which Agatha Christie’s And Then There Were None collides with Stephen King’s The Shining” (NPR) follows a group of survivors stranded at a hotel as the world descends into nuclear war and the body of a young girl is discovered in one of the hotel’s water tanks. Jon thought he had all the time in the world to respond to his wife’s text message: I miss you so much. I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC, has been ...
DIVA collection of interviews with Fredric Jameson over a 20 year period./div
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Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the hetero...
Conor Mark Jameson has spent most of his life exploring the natural environment and communicating his enthusiasm for it to family, friends and, more recently, readers of a range of newspapers and magazines. Shrewdunnit brings together the best of these dispatches, alongside unpublished essays, in a poetic and evocative journal that inspires and delights. Jameson’s prose is fresh and in places irreverent, with a hint of mischief and a dash of wit. From his back door to the peaks of New Zealand and the swamp forests of the Peruvian Amazon, he carries on the biogumentary style he perfected in his earlier books showing – never telling – how to bring nature and conservation home. He may jus...
The New York Times Bestselling series. Anthony Hetheridge, ninth Baron of Wellegrave, Chief Superintendent for New Scotland Yard, never married, no children, no pets, no hobbies, and not even an interesting vice, will turn sixty in three weeks. With the exception of his chosen career, too sordid for his blue-blooded family to condone, his life has been safe and predictable. But then he meets Detective Sergeant Kate Wakefield - beautiful, willful, and nearly half his age. When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to Lond...
This time he's playing for keeps. Notorious bad boy of Rock n’ Roll Jameson Lewis is returning home to his roots after five years of touring and recording. There’s just one problem—Peyton Mathews. The girl he left behind. His one regret and favorite addiction. She's been under his skin since the day they met. No matter how hard he's tried she's one habit he can't shake. The moment he sees her again sparks fly and the love he thought he lost forever rekindles burning hotter than ever. Only Peyton wants nothing to do with him. He'll do anything to remind her he was her first kiss and intends on being her last.
2 MILLION COPIES SOLD OF THE #1 BESTSELLING SERIES! 'A MASTER OF PUZZLES AND PLOT TWISTS' E. Lockhart, author of We Were Liars The addictive and twisty thriller, full of dark family secrets and deadly stakes that's 'impossible to put down' (Buzzfeed). Perfect for fans of Karen McManus and Holly Jackson. A BILLION-DOLLAR FORTUNE TO DIE FOR. Avery has a plan: keep her head down, work hard for a better future. Then an eccentric billionaire dies, leaving her almost his entire fortune. And no one, least of all Avery, knows why. A DEADLY GAME. Now she must move into the mansion she's inherited. It's filled with secrets and codes, and the old man's surviving relatives - a family hell-bent on discovering why Avery got 'their' money. WINNER TAKES ALL. Soon she is caught in a deadly game that everyone in this strange family is playing. But just how far will they go to keep their fortune? **Avery's story continues in The Hawthorne Legacy, The Final Gambit and The Brothers Hawthorne**
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