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Large Field Array
Between the purple foil stamped covers of this thoroughly engaging catalogue lay a plethora of installation shots and well chosen details of the more-than-100 sculptural works that went into Tyson's recent show at Denmark's Louisiana Museum of Modern Art. Some examples include a giant, hairy, very real looking excised beer belly (complete with bandaid) set alongside a cigar and some beer cans on an oriental rug; a stack of books with a toy penguin standing on top; a marionette theater; a baby in an incubator; and a giant chicken head. Sketches and maquettes explain the gridded layout of the work's larger installation--à la Martin Kippenberger's famous "The Happy Ending of Franz Kafka's America" (1996)--and the book is rounded out by several scholarly essays, an interview with the artist and a simple biography. Conceptual artist Keith Tyson was born in Ulverston, UK in 1969. In 2002 he was awarded Britain's prestigious Turner Prize, and in 2005 a solo show of his work was mounted by PaceWildenstein, New York.
Academy of Tal R
"The Danish artist Tal R has created an extensive body of work over two decades, making his mark internationally as one of the most important painters of his generation Tal R's visual culture has a figurative aspect, freely unfolded in painting, drawing, graphics, collage, artist's book and sculpture. Form aside, for the artist it has always been a matter of using imagination to make the world bigger. List of Contributors: Anders Kold: An introduction to Tal R's painting; Axel Heil: The layering of Tal R's collages and sculptures; Terry Myers: conversation with Tal R; Margrit Brehm: Tal R's artist's books; Peter Laugesen: A reading of Tal R's installation Deaf Institute. Accompanies the exhibition, Academy of Tal R at Louisiana Museum of Modern Art, Humlebaek, Denmark (20 May - 10 September 2017)."
Auto Erotica
The first overview in a decade on Arke's poetical explorations of dual ethnicity Central to the multimedia oeuvre of Pia Arke (1958-2007) was the artist's dual ethnicity in Greenland and Denmark, excavated in video works, collaged maps and landscape photographs that addressed themes of exploration, the complexities of ethnicity. Famed for her film Arctic Hysteria, Arke died of cancer at 48, and her work has only gained recognition over the past decade. With reproductions and essays, this volume introduces her to a wider audience. Kim Leine discusses themes of mortality; Darren Almond charts Arke's depictions of the landscapes of Greenland; Minik Rosing looks at spirituality in relation to Greenland; Laura Smith examines "Arctic hysteria"; Erik Steffensen recounts the artist's early years; Stefan Jonsson gives a biographical portrait; Erik Gant delves into the relationship between art and reality; Jessie Kleemann is interviewed about Arke's legacy; and the exhibition's curator, Anders Kold, explores Arke's motifs of body and map.
Jorn & Pollock
In the years during and just after World War II, the Danish artist Asger Jorn (1914-73) and the American painter Jackson Pollock (1912-56) came to play major roles in the development of a new Abstract Expressionist art. Both drew on Surrealism and Picasso to explore automatism in painting, each breaking through to a unique style around 1943, when Pollock had his first show at Peggy Guggenheim's gallery, and Jorn established the groundwork for working collectively that would lead to the founding of the CoBrA group. In both cases, this led to an incredibly energetic, primitive-seeming painting (although Jorn retained more figurative elements than Pollock). Alongside more than 100 color reproductions, Jorn & Pollock: Revolutionary Roadsincludes the essays "Image Revolutions - Abstract Expressionism and What Looks Like It in Jorn and Pollock" by Anders Kold; "In the Shadow of Picasso: Asger Jorn and Jackson Pollock" by British art historian Jeremy Lewison; "Sounds in the Grass" by Axel Heil; and "Simpler Evolutions" by Courtney Martin, which discusses the British critic Lawrence Alloway's comparisons of the two artists.
Poul Gernes
A pivotal figure of the Danish postwar avant-garde, Poul Gernes (1925-66) created brightly hued, constructivist-style abstractions both on canvas and in public spaces throughout Denmark. This volume documents his career.
Dana Schutz: Between Us
With a vast selection of works from the last two decades and Polaroids of the artist's studio, this mid-career catalog provides unique perspective on Schutz's oeuvre and methods Dana Schutz is one of the great figurative painters of our time--an eminent storyteller who depicts people in complex and often gigantic compositions. For two decades now, Schutz has distinguished herself with her tremendous narrative power, vigorous sense of color and ability to merge the gruesome, grotesque, absurd and comic. This richly illustrated catalog presents paintings, drawings, prints and sculpture, providing an overview of Schutz's entire career to date. Alongside a thorough analysis of Schutz's work by c...
Installation Art between Image and Stage
Installationskunsten har gået sin sejrsgang verden over, og er her i det 21. århundrede en både vel- og anerkendt bestanddel af samtidskunsten. Med påvirkning fra og udveksling mellem billedkunst på den ene side og performanceteater på den anden befinder installationskunst sig – som bogens titel viser – netop i feltet mellem billede og scene. I Installation Art: Between Image and Stage undersøger Anne Ring Petersen grundstenene for en af nutidens mest udbredte kunstformer. Installationer er – ligesom skulpturer – tredimensionelle formationer eller billeddannelser, men i modsætning til skulpturen er installationen karakteriseret ved at være formet af rum eller rumlige scenogr...
Chinese Contemporary Art in the Global Auction Market
Chinese Contemporary Art in the Global Auction Market charts the rapid emergence of a multi-million-dollar global market for Chinese Contemporary art by revealing the strategic activities of art world agents in promoting the work of ‘avant-garde’ Chinese artists to a Western audience.
Gary Hill
"Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback." -- Gary Hill (From "Inter-view") For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Awa...
