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From the critical and commercial success of Kwani? 01 came the next edition, kwani? 02, in 2004. This edition features contemporary literary Kenyan concerns themed on the question of identity. Building on the first issue, kwani? 02 offers all that kwani? 01 did and mirrors the post-millennial angst of young Kenyan writers, poets, cartoonists and photographers. Once again, kwani? featured in the Caine Prize for African writing 2004 when Parselelo Kantaiís Comrade Lemma and the Black Jerusalem Boys Bandwas runner up. Uwem Akpanís An Xmas Feast has since been re-worked and published in the New Yorker magazine ñ the first time an African writer has been featured in that prestigious magazine.
Following and keeping close to the great tradition set by its three predecessors, Kwani? 4 presents a wail of new voices in literary concert with the not so new. The now established talents- Binyavanga Wainaina, Muthoni Garland, Doreen Baingana- share these pages with the fast risers: Billy Kahora, Mukoma wa Ngugi and Shalini Gidoomal. And Kwani? 4 has delved deeper into the all those spaces where the Kenyan story lives: the street corners, the neighbourhood pubs, the in-between semi rural places where the clash of cultures- the traditional versus the modern- continues to redefine the social roles of the individual, dismantle patriarchal constructs and still retain the pithy wit and the devi...
Kwani? is arguably Africa's most exciting and varied literary initiative of recent years. Describing itself as ?a magazine of ideas, [that] seeks to entertain, provoke and create?, Kwani? commissions and publishes stories, poetry, art and photography ?from all around the African continent and the diaspora'. Rejecting artificial divisions of high and low art and literary snobbery, it is dedicated to the flourishing of literature in Kenya and the of African cultural values. Kwami? 01 is widely available outside Africa for the first time. The volume features the writings of numerous prize-winners. It includes the short story, ?The Weight of Whispers?, by Yvonne Adhiambo Owuor, which won The Caine Prize for African Writing in 2003. Yvonne Owuor is also a screenplay writer, and Executive Director of the Zanzibar International Film Festival. Other contributions are from Parsilelo Kantai, who was short-listed for the Caine Prize in 2004;drawings from Gaddo, one of East Africa's foremost political cartoonists; photographs from the photo-journalist Marion Kaplan; and interviews with ?ghetto youths? conducted by the editor.
As well as a rare examination of Egyptian literature, this volume includes a non-themed section of Featured Articles and a Literary Supplement.
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Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies.
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Red Soil and Roasted Maize is a selection of Kenyan writer Rasna Warahs most poignant, introspective and satirical articles, columns and essays that provide snapshots and analyses of events that have shaped Kenyans lives and dreams in the last decade, from the turbulent transition to democracy in 2002 to a flawed election in 2007 that had a deep impact on Kenyas political, economic and social landscape. She candidly deciphers and describes the perils of growing ethnic chauvinism and corruption in an increasingly polarised nation and examines her own life as a writer in one of Africas most diverse and unequal societies.
Studies on the aesthetic representations of atrocity the world over have taken different discursive dimensions from history, sociology, political to human rights. These perspectives are usually geared towards understanding the manifestations, extent, political and economic implications of atrocities. In all these cases, representation has been the singular concern. Cultural Archives of Atrocity: Essays on the Protest Tradition in Kenyan Literature, Culture and Society brings together generic ways of interrogating artistic representations of atrocity in Kenya. Couched on interdisciplinary, multidisciplinary and cross-disciplinary approaches, essays in this volume investigate representations o...
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