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An intensely personal exposé of what happens when family and politics collide during the collapse of the Hungarian Communist regime--for fans of The Lives of Others and The Reader. Thirty years after the fall of communism in Hungary, as András Forgách investigated his family's past, he uncovered a horrifying truth. His mother, whom he deeply loved, had been an informant for the Kádár regime. She had informed not only on acquaintances but on family, friends and even her children. In a work of heartbreaking intensity and nuance, Forgách must confront the truth about the woman who was simultaneously an informant as well as a tender and loveable parent, a victim and a perpetrator. In The Acts of My Mother, Forgách gives voice to his deceased mother, holding her responsible for her deeds while defending the memories he cherished of her as a son.
For readers of The Lives of Others and The Reader, and based on a true story, No Live Files Remain is a beautiful and moving novel of family, lies, betrayal and forgiveness. He wanted to understand the past. Now he must live with the truth. Thirty years after the fall of communism in Hungary, as acclaimed writer, translator, dramatist and visual artist Andras Forgach investigated his family's past he uncovered a horrifying truth. His mother, whom he deeply loved, had been an informant for the Kadar regime. She had informed not only on acquaintances but on family, friends and even her children. In the eagerly anticipated No Live Files Remain, with rights sold around the world, Forgach gives voice to his deceased mother, holding her responsible for her deeds while defending the memories he cherished of her as a son. 'Mother wasn't lacking in evocativeness, no, no, I can affirm that. She was the firmament, the high sky, and she still is, even covered in heavy clouds.' Andras Forgach
Within the larger context of cultural memory, family pictures have become one of the most intriguing multi- and interdisciplinary fields of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, photo-based painting and installations, digital art, collage, montage, comics, etc.) as well as academics, critics, theorists and writers working in a wide range of disciplines including literature, history, art history, sociology, anthropology, psychoanalysis, film and media studies, visual culture studies, gender studies, postcolonial studies, and word and image studies. This volume intends to offer a broad, panoramic view of the topic combining West and East European as well as American perspectives.
Literary museums today must respond to new challenges; the traditional image of the author’s home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.
A lavishly illustrated collection of on-the-spot and authoritative surveys of current theatrical activity from across the globe, this work covers the three seasons from 1999-2000, 2000-1 and 2001-2.
Tropical Environments presents a comprehensive introduction to the complex systems of the tropics. Covering a broad, cross-regional range of humid through to semi-arid tropical climate zones, the book features a wealth of case studies drawn from throughout the tropical world. The authors tackle the major problems within the tropics, from complex biological interactions and soil nutrient deficiencies, offering a balanced integration of biophysical and human management issues.
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