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During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, ex...
A provocative investigation of Marcel Broodthaers's work as a reflection on the uses and abuses of language.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
The 7th Annual Working Conference of ISMSSS (lnformation Security Management and Small Systems Security), jointly presented by WG 11.1 and WG 11.2 of the International Federation for Information Processing {IFIP), focuses on various state-of-art concepts in the two relevant fields. The conference focuses on technical, functional as well as managerial issues. This working conference brings together researchers and practitioners of different disciplines, organisations, and countries, to discuss the latest developments in (amongst others) secure techniques for smart card technology, information security management issues, risk analysis, intranets, electronic commerce protocols, certification an...
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The poet and artist Marcel Broodthaers (1924-76) is widely recognized as a key figure in 20th century art who questioned the nature of art, the role of the artist, the functioning of the museum and of the art market. This book sets out Broodthaers's strategy for artistic success and examines the dialogue into which he entered with his contemporaries and predecessors in 19th century French poetry, Pop and Conceptual Art, including Stéphane Mallarmé, Charles Baudelaire, Marcel Duchamp and René Magritte. It provides a broad overview of his objects, paintings, films, slides, books and installations, and his focus upon relationships, also central to Post-Structuralist and postmodern theories. ...
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Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris. In der aktuellen Debatte um Kunst und Öffentlichkeit wird primär "Kunst im öffentlichen Raum" verhandelt, zuweilen in ihrer herkömmlichen Form als Skulptur im Außenraum oder als "Public Art" im Sinne neuerer Formen von "Kunst im sozialen Interesse". In Abgrenzung zur Definition von öffentlicher Kunst über einen physischen, geographischen und urbanen Raum oder sozialinterventionistische Kunstpraxen wird die Idee eines Öffentlichkeitscharakters von Kunst entwickelt. Am Beispiel der Minimal Art wird gezeigt, dass Öffentlichkeit ein konzeptioneller Anspruch von Kunst sein kann, der im allgemeinen Bezug auf Raum, Präsentationsort, Produktionsprozess, Rezeptionsmodus, Form, Material und Maßstab begründet liegt. Aus einer historischen und ästhetischen Reflexion fassen Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris Öffentlichkeit nicht als eine Funktion von Kunst auf, sondern primär als ein theoretisches Konzept.