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After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband’s status or money; instead she can wield her own power provided she can successfully manage the business of being a wife. Wife, Inc. tells a fiercely contempo...
"This book surveys the history of Latina and Latino depictions, narratives, and authorship in U.S. English-language television since the 1950s, with a focus on the navigations and impact of Latina/o series writers and creators as they have been able to enter the industrial landscape in recent decades. Based on archival research, interviews with dozens of media professionals who worked on or performed in these series, textual analysis of available episodes and promotional materials, and analysis of news media coverage, the chapters examine Latina/o representation in children's television Westerns in the 1950s, in Chicana/o and Puerto Rican activist-led public affairs series in the 1970s, in s...
Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.
"This book examines the current state of global media distribution today, including legacy and born-digital media industries, and the social, cultural, and economic impact of the digital distribution ecosystem"--
The Gayborhood: From Sexual Liberation to Cosmopolitan Spectacle explores the lived experiences of LGBT+ persons in an era of heightened visibility. Gay urban enclaves, known colloquially as gayborhoods, illustrate the evolution of LGBT+ political capacity building. Since their emergence after World War II, gayborhoods have homogenized at the expense of women, transgender, and nonwhite persons due to neoliberal policies promoted by urban planners. Thus, their popularization and economic vitality correlate with a loss of collective identity and space for some inhabitants. While gayborhoods were once diverse and inclusive spaces that rejected normative institutions of marriage and assimilation into dominant society, the stakeholders of these areas have now unashamedly aligned themselves with conformity and profitability to legitimize their existence. The contributors within The Gayborhood invite readers to reflect on the future of LGBT+ politics and look beyond the commercialized rainbow spectacle of gayborhoods to the communities and aspirations within.
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to Bl...
Introduction: The Digital Border: The Techno-Symbolic Assemblages of Power -- The Outer Border: Assemblages of Humanitarian Securitization -- The Inner Border: Assemblages of Entrepreneurial Securitization -- The Inner Border as Networked Commons -- Narrative and Voice in News Stories -- Visibility and Responsibility in News Imagery -- Subaltern Voice and Digital Resistance -- Conclusion: The Crisis Imaginary: The Digital Border and Its Crises.
Examines how the US-Mexico border is seen through visual codes of surveillance When Donald Trump promised to “build a wall” on the U.S.-Mexico border, both supporters and opponents visualized a snaking barrier of concrete cleaving through nearly two thousand miles of arid desert. Though only 4 percent of the US population lives in proximity to the border, imagining what the wall would look like came easily to most Americans, in part because of how images of the border are reproduced and circulated for national audiences. Border Optics considers the US-Mexico border as one of the most visualized and imagined spaces in the US. As a place of continual crisis, permanent visibility, and terri...
Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to...
The Rough Guide to South Americais the definitive handbook to the continent. Features include- Full-coloursection introducing South America's highlights Detailedcoverage and extensive practicalities for all thirteen countries, along with the Galapagos Islands and Easter Island. Vividaccounts of unmissable attractions, from the beaches of Rio and the glaciers of Patagonia to the Inca ruins at Machu Picchu. Hundredsof critical reviews on the best places to stay, eat and drink, plus details on major festivals and indigenous music. Expertadvice on exploring the jungles, deserts and mountains up close, as well as crossing borders and planning multi-country trips. Maps and Plansfor the entire continent.