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While half the world swept west, we trickled eastward, one by one, single-file, like fugitives. Next stop: Abu Dhabi, where my father had a job, and money, for the first time in years . . . __________________________________________________ Flitting from the mud-soaked floors of Venice to the glittering, towering constructions of the Abu Dhabi of his childhood and early adulthood, from present-day London to North America, André Naffis-Sahely's bracingly plain-spoken first collection gathers portraits of promised lands and those who go in search of them: labourers, travellers, dreamers; the hopeful and the dispossessed. 'Naffis-Sahely's poems usher the reader in to a world of reversals and risk . . . His narratives hold memory to account' DAVID HARSENT
The Other Side of Nowhere is a radical, psychedelic journal of the end- times, whose poems portray a world of intransigence, a world where the safety of words like place or home have started to unravel. This pamphlet finds the author of The Promised Land: Poems from Itinerant Life (Penguin, 2017) exploring the American West, from forgotten gold rush towns in Arizona to the lives of historical figures from the Golden State's xenophobic history, allowing Naffis-Sahely to turn his wry worldly gaze on some of our era's most pressing subjects.
A fascinatingly diverse anthology of the literature of exile, from the myths of Ancient Egypt to contemporary poetry Exile lies at the root of our earliest stories. Charting varied experiences of people forced to leave their homes from the ancient world to the present day, The Heart of a Stranger is an anthology of poetry, fiction and non-fiction that journeys through six continents, with over a hundred contributors drawn from twenty-four languages. Highlights include the wisdom of the 5th century Desert Fathers and Mothers, the Swahili Song of Liyongo, The Flight of the Irish Earls, Emma Goldman's travails in the wake of the First Red Scare, the Syrian poet Nizar Qabbani's ode to the lost world of Andalusia and the work of contemporary Eritrean fabulist Ribka Sibhatu. Edited by poet and translator André Naffis-Sahely, The Heart of a Stranger offers a uniquely varied look at a theme both ancient and urgently contemporary.
Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Bro...
Finally available in English, Le Règne de la barbarie by Abdellatif Laâbi is one of the most daring poetic visions of the second half of the twentieth century. First published in 1976 when Laabi was serving an eight-year prison sentence (1972-1980) for ‘crimes of opinion’ against the Moroccan State, The Rule of Barbarism is a devastating flight through consciousness, acquainting the reader with the trials of a society caught between a colonial past and the tragic realities of a brutal dictatorship. Analysing the presence of ‘barbarism’ inherent in all of us, and yet deepening our capacity for compassion despite the allure of revenge, this stunning debut from a writer on the threshold of a groundbreaking career can be read as an epic of love, empathy, anger and despair—and is as resonant today as when composed nearly fifty years ago.
‘One of China’s greatest living novelists’ Guardian Blending fact with fiction, China Dream is an unflinching satire of totalitarianism. After decades of loyal service, Ma Daode, a corrupt and lecherous party official, has been appointed director of the China Dream Bureau, charged with promoting President Xi Jinping’s China Dream of national rejuvenation. But just as he is about to present his plan for a microchip that will be implanted into the brain of every citizen to replace all painful recollections with a collective dream of national supremacy, his sanity begins to unravel. Plagued by flashbacks of the Cultural Revolution, his nightmare visions from the past threaten to destroy his dream of a glorious future. This darkly comic fable is a dystopian vision of repression and state-enforced amnesia set not in the future, but in China today. ‘Excoriating...Not for nothing has Ma been called both the Orwell and Solzhenitsyn of Chinese literature’ A Financial Times Book of the Year ‘Red Guards meet Kurt Vonnegot, sort of: powerful!’ Margaret Atwood, via Twitter
The Bottom of the Jar is the journey of a boy finding his footing in the heart of Fez during the 1950s, as Morocco began freeing itself from the grip of the French colonial occupation. The narrator vividly recalls his first encounters with the ebullient city, family dramas, and the joys and turbulence of his childhood. He recalls a renegade, hashish-loving uncle, who at nightfall transforms into a beloved Homer, his salt-of-the-earth mother's impassioned pleas to a Divine ear, and his father's enduring generosity. Told in the spirit of a late-night ramble among friends where hilarious anecdotes and poignant recollections flow in equal parts, Laâbi's autobiographical novel offers us a generous glimpse into the formative experiences of a great poet, whose integrity and commitment to social justice earned him an eight-and-a-half year prison sentence during Morocco's "year of lead" in The 1970s.
In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. I...
Michael Hofmann is an iconic figure for his generation, from his poetry to his translations of Kafka, Brecht, Hans Fallada and Joseph Roth, among others. This collection of essays, poems and reflections published to coincide with Hofmann's new translations of Gottfried Benn, celebrates the man and his work, and reaffirms his central place in contemporary literature.
“This powerful book of cultural criticism” by the renowned art historian “shines a harsh light on” a historic city’s destruction in the name of profit (The Washington Post). What is Venice worth? To whom do its irreplaceable treasures belong? This eloquent book by art historian Salvatore Settis urgently poses these questions, igniting a new debate about urban stewardship and cultural patrimony at large. As Venice grows increasingly unaffordable and inhospitable to its own residents, Venetians are abandoning their hometown at an alarming rate. At last count, there was only one local for every 140 visitors. As it capitulates to tourists and those who profit from them, Venice’s transformation into a lifeless shell of itself has become emblematic of the future of historic cities everywhere. In this blend of history and cultural analysis, written with wide-ranging erudition and élan, Settis makes a passionate plea to secure the soul of Venice. “Anyone interested in learning what is really going on in Venice should read this book.” —Donna Leon, author of My Venice and Other Essays and Death at La Fenice