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With an introduction by Eimear McBride A devastatingly powerful, moving and uplifting memoir - now a classic of its genre - that inspired others to tell their own true life stories. When our stepfather staggered home reeking of whisky, ceramic hit the wall. We got used to the smash and the next-day stain, but eventually the wallpaper began to fade . . . For Andrea Ashworth, home is not a place of comfort and solace, but of violence and fear. Her father died when she was five, leaving her close-knit, loving family to battle with poverty, abuse and the long shadow of depression. But from the ashes of 1970s Manchester and the hardships of her coming-of-age in the late 1980s, Andrea finds the courage to rise . . . Written with eye-opening honesty, rare beauty and intense power, Once in a House on Fire is a ground-breaking memoir, endearing in its humour and compassion, and life-affirming in its portrait of terrible circumstances triumphantly overcome.
Internationally acclaimed as one of the most exciting debuts of the year, this stunning memoir has put Andrea Ashworth on the literary map as one of the brightest stars of her generation. Once in a House on Fire is the vivid and unforgettable portrait of a family terrorized by the explosive rage of one stepfather and then another. Yet Andrea never gives in to despair and finds a haven in the work of great writers-Joyce, Eliot, D. H. Lawrence, and others-who allow her to see a world beyond her own and set her on her path toward intellectual and artistic awakening.
'One of the most extraordinary stories you will ever read of the triumph of the human spirit' Daily MailSet in 1970s Manchester, Once in a House on Fire tells the true story of three sisters and their mother, a close-knit and loving family forced to battle with poverty, abuse and the effects of depression. Beautifully written and deeply inspiring, with a new afterword by Andrea Ashworth, it is a book that will stay with its readers for ever.
Diana Athill's childhood in the Norfolk countryside was blissful. In 1932, aged 15, she fell passionately in love with a young undergraduate. She went up to Oxford and was engaged to be married. Then everything fell apart in the cruellest possible way.
A girl meets with danger on the beach when she is lured away by a strange boy; a bereaved wife enlists the help of a mysterious woman to perform rituals that will bring her dead husband back to life; a boy’s anger at his absent father leads him towards an act of destruction in the basement of his school.These are just some of the characters and events which are given life in A. J. Ashworth’s Scott Prize-winning collection Somewhere Else, or Even Here. The stories, described as ‘dark’ and ‘delicious’ by the writer Maggie Gee, explore themes of loss and loneliness, desire and hope – with characters left to navigate the shifting landscapes of their lives.A. J. Ashworth captures, with honesty, the collisions that can happen between human beings, whether it’s a couple facing up to life after the death of a child, or lovers broken apart by infidelities either real or imagined. She explores those moments of realisation, those turning points, which will continue to resonate throughout the lives of her characters – those people who, even in small ways, will be forever changed, forever cut loose from their earlier selves.
Tommy James may be little but he knows how to wrangle in a bully like Bo Jones. A cowboy's story about wit and determination. Tommy James may be the littlest cowboy in Reckon' but he has the heart and determination of a giant. Bullied by Bo Jones, he quickly figures out how to get around this local cowboy. This is the first in the series.
The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsùfrom first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others. Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.
An outstanding collecting memoir by a group of bestselling internatinal writers. Truth or Dare is an anthology of memoirs from eleven internationally recognized authors who have uncovered what is closest to their hearts: from childhood secrets and tales of first love to the story of a fathers suicide. With pieces by Andrea Ashworth, Rachel Cusk, Sophie Dahl, Sabine Durrant, William Fiennes, Esther Freud, Zoe Heller, Nick Hornby, Julie Myerson, Jon Ronson and Alice Sebold, this volume contains all the emotional range and quirky individuality for which these writers are acclaimed.
Many facets of place branding, such as identities, image, promotion or sense of place, have been around for a long time. However, the need to analyse their nature in the context of branding and to examine their relationships in detail has grown rapidly in the last decade or so, as places all over the world have put branding activities higher than ever in theiragenda. This important new book examines and clarifies key aspects of the recently popularised concept of place branding, expounding many controversies, confusions and discords in the field. The expert contributors clarify several unresolved issues surrounding the application of place branding, in particular its multiple goals. They pro...
The story of two children growing up in fundamentalist Christian America. Sinners go to: HELL. Rightchuss go to: HEAVEN. The end is near: REPENT. This here is: JESUS LAND. Julia Scheeres stumbles across these signs along the side of a cornfield while out biking with her adopted brother, David. It's the mid-1980s, they're sixteen years old and have just moved to rural Indiana, a landscape of cottonwood trees and trailer parks - and a racism neither of them is prepared for. While Julia is white, her close relationship with David, who is black, makes them both outcasts. At home, a distant mother (more involved with her church's missionaries than with her own children) and a violent father only ...