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Contemporary Sources for the Fourth Crusade
This volume presents English translations of seven major bodies of Latin sources for the Fourth Crusade (1202-1204). Combined, the different perspectives of these sources deepen our understanding of this complex and controversial moment in Western-Byzantine relations.
The Capture of Constantinople
The armies of the Fourth Crusade that left Western Europe at the beginning of the thirteenth century never reached the Holy Land to fight the Infidel; they stopped instead at Byzantium and sacked that capital of eastern Christendom. Much of what we know today of those events comes from contemporary accounts by secular writers; their perspective is balanced by a document written from a monastic point of view and now available for the first time in English. The Hystoria Constantinopolitana relates the adventures of Martin of Pairis, an abbot of the Cistercian Order who participated in the plunder of the city, as recorded by his monk Gunther. Written to justify the abbot's pious pilferage of sc...
Conrad and Impressionism
John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.
My River
Stella Bowles was a Grade 6 Nova Scotia student when she turned environmental activist to campaign against sewage pipes draining straight into the LaHave River. This is the inspirational first person account of Stella's Grade 6 science fair project which caught the eyes of the media, the public and government leaders propelling her into the limelight. Stella details her two and a half year fight to clean up the river, winning numerous awards for her environmental activism along the way. She succeeds in shaming three levels of government and rallying supporters into funding a $15.7 million cleanup. Today, she continues to campaign for cleaner water and demonstrates to other children how to test water quality in their own backyards, and how to take action if they find their water is polluted too. Stella's story will motivate readers to engage in local environmental activism. She demonstrates that doing what's right has no age barriers.
Conrad and Empire
Stephen Ross challenges the orthodoxy of the last 30 years of Conrad criticism by arguing that to focus on issues of race & imperialism in Conrad's work is to miss the more important engagement with developing globalization undertaken there.
The Serial Killer's Apprentice
An investigative journalist confronts 13 of Northeast Ohio’s most intriguing unsolved crimes and attempts to crack open dark secrets that have baffled Clevelanders for years, including: • Abduction—In 2003, sixteen-year-old Georgina DeJesus disappeared on a West Side street corner, almost exactly one year after teenager Amanda Berry vanished just blocks away. • Stolen Identity—Joseph Newton Chandler of Eastlake was not who he claimed to be. Some think he was the Zodiac killer; others say he was D.B. Cooper, or even Jim Morrison. • Suicide or murder?—Joseph Kupchik hid gambling problems from friends and family until he was found at the bottom of a nine-story parking deck in down...
African Fiction and Joseph Conrad
Interrogates the "writing back to the center" approach to intertextuality and explores alternatives to it.
Conrad's Marlow
Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar? Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.
