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Pattern
As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960s. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture?
Complexity
Digitalization has transformed the discourse of architecture: that discourse is now defined by a wealth of new terms and concepts that previously either had no meaning, or had different meanings, in the context of architectural theory and design. Its concepts and strategies are increasingly shaped by influences emerging at the intersection with scientific and cultural notions from modern information technology. The series Context Architecture seeks to take a critical selection of concepts that play a vital role in the current discourse and put them up for discussion. When Vitruvius described the architect as a "uomo universale," he gave rise to the architect’s conception of him- or herself...
Simulation
Digitalization has transformed the discourse of architecture: that discourse is now defined by a wealth of new terms and concepts that previously either had no meaning, or had different meanings, in the context of architectural theory and design. Its concepts and strategies are increasingly shaped by influences emerging at the intersection with scientific and cultural notions from modern information technology. The new series Context Architecture seeks to take a critical selection of concepts that play a vital role in the current discourse and put them up for discussion. In the context of discussions of the medial, the notion of simulation plays a central role in architecture as illusion and...
Stefan Wewerka : architect, designer, object artist ; Architekt, Designer, Objektkünstler
Text in English and German. The oeuvre of Stefan Wewerka occupies a unique position in post-war art because of the way in which he mixes different genres. Wewerka is an 'uomo universale', an uncomfortable pedagogue, a bringer of enlightenment. In addition to his practical work as an architect -- his competition entries have had a lasting effect on architectural discourse -- he has alienated architecture photographically or with the aid of traditional artistic techniques, has written books, has painted pictures, has made films and object art. In the early 50s Wewerka involved himself in earth architecture -- early attempts to build with nature and not against it -- and this at a time when no ...
Creating Through Mind and Emotions
The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
Architectural Sciences and Technology
Architectural Sciences and Technology
To Life!
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
space.time.narrative
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
Creative Design in Industry and Architecture
Covering the topics of architecture and industrial design Creative Design in Industry and Architecture argues that the discourse on design criteria for both professions share many similarities. It is not intended to be prescriptive, but is rather the outcome of a detailed design analysis of the works of a number of industrial and architectural designers. The authors sought to compare the cultural outcomes of vernacular design in an attempt to show that the design process does not need to be difficult or complicated. This book seeks to present a critical assessment of design processes which achieve innovation in the fields of both architectural and industrial disciplines. The book is therefor...
Thinking with the Harrisons
Helen Mayer Harrison and Newton Harrison, known as ‘the Harrisons’, dedicated five decades to exploring and demonstrating a new approach to artistic practice, centred on “doing no work that does not attend to the wellbeing of the web of life.” Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humour, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors of this book ‘think with’ the Harrisons, critically tracing their poetics as a reimaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists’ poet...
