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Stop, Look, Listen
Published on the occasion of the exhibition "stop.look.listen: an exhibition of video works" organized by Andrea Inselmann and held at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Oct. 13-Dec. 23, 2007, and the Haggerty Museum of Art, Marquette University, Milwaukee, Wis., Oct. 23, 2008-Feb. 22, 2009.
Religion and Irreligion in Victorian Society
First published in 1992.This volume of eleven specially commissioned essays celebrates the work of Robert K. Webb, one of the foremost historians of modern Britain. The contributors, established scholars from Britain, Canada, Australia and the United States, address some of the central themes in the history of nineteenth-century religion, including evangelicalism and the culture of the market economy, religious issues in the liberal politics of the 1830s, the radical atheist Robert Taylor, Charles Darwin, the Victorian ideal of `manliness', nineteenth century images of Mary Magdalene, the Jews in Victorian society, colonialism, the role of women missionaries as models of female achievement, and spiritualism during the Great War. Together these essays make a significant contribution to the study of the role of religion in Victorian society.
Women Editing Modernism
For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors—Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore—whose varied activities, ofte...
Aernout Mik
Edited by Laurence Kardish. Text by Laurence Kardish, Kelly Sidley, Michael T. Taussig.
Creative Negativity
Focusing on the early Modern and Victorian periods, the author finds covert revolutionaries in four familiar practitioners of a strategy she calls creative negativity: poet-photographer Julia Margaret Cameron (1815-1879), novelist-essayist Anne Thackeray Ritchie (1837-1919), activist-spiritual leader Annie Besant (1847-1933), and actress-writer Elizabeth Robins (1862-1952).
A Private Eye
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The Long Now
Text by Jonathan Crary, Russell Ferguson, Holly Myers.
David Balfour
The further adventures of David Balfour in which he continues his friendship with Alan Breck Stewart and support of the Scottish highlanders' cause, travels abroad to complete his education, and finds romance.
Poetics of the Handmade
'Poetics of the handmade' presents the work of eight Latin American artists engaged in the timeless practice of making art by hand. Making use of common objects to create a sense of familiarity for the viewer, these artists' interest in transformation and process has led them to make works that are painstakingly handcrafted from a wide range of materials. They find poetry in the depiction of ordinary objects and powerful resonance in small actions.
The Papers of Will Rogers: From vaudeville to Broadway : September 1908-August 1915
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
