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Material Culture and (Forced) Migration
Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migration. During journeys of migration, people take things with them, or they lose, find and engage things along the way. Movements themselves are framed by objects such as borders, passports, tents, camp infrastructures, boats and mobile phones. This volume brings together chapters that are based on research into a broad range of movements – from the study of forced migration and displacement to the analysis of retirement migration. What ties the chapters together is the perspective of material culture and an understanding of materiality that does not reduce objects to mere symbols. Centring on ...
Engaging the Spirit World
In many parts of the contemporary world, spirit beliefs and practices have taken on a pivotal role in addressing the discontinuities and uncertainties of modern life. The myriad ways in which devotees engage the spirit world show the tremendous creative potential of these practices and their innate adaptability to changing times and circumstances. Through in-depth anthropological case studies from Indonesia, Malaysia, Thailand, Myanmar, Laos, and Vietnam, the contributors to this book investigate the role and impact of different social, political, and economic dynamics in the reconfiguration of local spirit worlds in modern Southeast Asia. Their findings contribute to the re-enchantment debate by revealing that the “spirited modernities” that have emerged in the process not only embody a distinct feature of the contemporary moment, but also invite a critical rethinking of the concept of modernity itself.
Religion, Place and Modernity
Using the potential of place as an approach and of places as ethnographic contexts, the authors in this volume investigate the multiple entanglements of ‘religion’ and ‘modernity’ in contemporary settings. The guiding questions of such an approach are: How are modernity and religion spatially articulated in and through places? How do these articulations help us to understand the ways in which religion becomes socially and culturally significant in modern contexts? And how do they reveal the ways in which modernity unfolds within religion? Thus, places are not only understood as neutral locations or extensions, but as spatial modes to mediate properties, contents and processes of religion and modernity. Based on ethnographic and historical research in Southeast and East Asia and featuring reflections on the concepts of religion and modernity respectively, the authors offer a deeper understanding of the articulation of a religious modernity in these regions and beyond. Contributors are: Nikolas BROY ̧ CHAN Yuk Wah, Michael DICKHARDT, Volker GOTTOWIK, Patrice LADWIG, Andrea LAUSER, Jovan MAUD, YEOH Seng-Guan, Clemens SIX, Paul SORRENTINO, Alexander SOUCY, Sing SUWANNAKIJ.
Haunted thresholds
Haunted Thresholds explores the unique relationship between spirituality and modernity in Southeast Asia. As an exhibition and a research process, the project brings works by 15 artists from the region into an experimental dialogue with ethnographic objects from the Ethnographic Collection at the University of Göttingen. With their own aesthetic qualities, religious meanings and intellectual reflexivity, both the objects and artworks reveal immaterial forces, ancestral spirits and otherworldy powers existent in the everyday. Haunted Thresholds is a cooperation between Kunstverein Göttingen and the research network “Dynamics of Religion in Southeast Asia” (DORISEA).
Ghost Movies in Southeast Asia and Beyond
Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became major box office hits. The emergence of the phenomenally popular “J-Horror” genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion.
Transnational Marriage
Marriages spanning borders are not a new phenomenon, but occur with increasing frequency and contribute substantially to international mobility and transnational engagement. Perhaps because such migration has often been treated as ‘secondary’ to labor migration, marriage has until recent years been a neglected field in migration studies. In contemporary Europe, transnational marriages have become an increasingly focal issue for immigration regimes, for whom these border-crossing family formations represent a significant challenge. This timely volume brings together work from Europe and beyond, addressing the issue of transnational marriage from a range of perspectives (including legal frameworks, processes of integration, and gendered dynamics), presenting substantial new empirical material, and taking a fresh look at key concepts in this area.
Moving Things
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Haunted thresholds
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