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Treadwell is Modica's first major published collection -- a rich, empathetic, and often wrenching study of small town family life in upstate New York. Focusing on one young girl and her extended clan of family and friends, with whom Modica forged a ten-year relationship, the images in Treadwell express pathos and humanity without sentimentality or spectacle.
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Part archive and part guidebook, The Photographer's Green Book's inaugural publication, Vol. 1, explores the themes of history, community, and process in photography. It explores these themes through essays, interviews from artists and organizations, and images from diverse lens based artists. The book also features questions and organization listings to help readers further engage with these concepts.
The Locusts is the first monograph by photographer and publisher Jesse Lenz. His images transport the reader to rural Ohio where his children run wild in the fields, build forts in the attic, and fall asleep surrounded by lightsabers and superheroes. The microcosmic worlds of plants, insects, animals, and children create a brooding landscape where dichotomies of nature play out in front of his growing family. The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons. The Locusts depicts a world in which beautiful and terrible things will happen, but offers grace and healing within the brokenness and imperfection of life.
Running, Falling, Flying, Floating, Crawling is a loose compendium of photographs and texts that picture, examine, explore, and / or suggest the human body in states of abandon, helplessness, terror, subjugation, serenity, and transcendence. Artists include Andre Kertesz, Yves Klein, Laurie Simmons, Maya Deren, Gideon Mendel, Bas Jan Ader, Chris Burden, Tabitha Soren, Nan Goldin, Rania Matar, John Divola, Harry Callahan, Sarah Charlesworth, and Francesca Woodman. Writers include David Campany, Lynne Tillman, Jennifer Blessing, Diane Seuss, Susan Bright, Gilda Williams, Marvin Heiferman, Maud Casey, and Carol Mavor.
- The book is the visual record of the author's process of recovering memories with clues found on paths his father used to take and places his family used to visitWhen he attempted to trace memories of his late father, Hajime Kimura realized that most of them were missing. Because of this, his photos were shot with a half-framed camera. Each image consists of two shots divided by a thick black border. The continuous sequence of the images seems to repeatedly suggest the photographer's impossible attempt at recovering a lost past. One can come close to faded memories, but cannot reconstruct them perfectly.
“My hope for every young photography student is that there comes a point when the need to do the work overrides the desire to do well in school. This happened for me in earnest when I was in graduate school in 1984. I liken this moment to a first kiss; you get only one chance, and with some luck it’s not squandered. Following Garry Winogrand’s memorial service in March of that year, and a freak New York City snowstorm on that warm spring day, I took the RR subway into Bay Ridge, Brooklyn, to visit my high school teacher, the artist Len Bellinger. As usual, I had my 8X10 camera and holders in a backpack, tripod dangling off to the side. Being a diligent student, I took the opportunity t...
"For photographer Arko Datto, these nocturnal realms offer the perfect space to create hallucinatory narratives about raw social and political issues. Using his flash to candidly capture both people and animals in their urban environments, his resulting images appear as highly aestheticized accidents - cinematic stills from a feverish nightmare. A departure from his acclaimed work Pik-Nik, the two series Will My Mannequin Be Home When I Return and What News of the Snake That Lost Its Heart In The Fire work to address current political climates in India, Malaysia and Indonesia. These two series will soon be followed by a third installation about Bangladesh, becoming a trilogy tied together by Datto's abrupt camera flash in the darkness of nighttime." -- LensCulture website.
"Pulp Art Book--the multi-media collaboration between photographer Neil Krug and model Joni Harbeck--has become a virtual sensation online, and is now the subject of the artists' first monograph. Pulp Art Book: Volume One is an LP-sized hardcover book, split into several vignettes ranging from a spaghetti western theme to a Bonnie and Clyde revival and to the struggles of a 1950s housewife. These series tell the story of each character, and will be expanded in subsequent volumes. The inspiration for the pulp theme comes from the artists' collective appreciation of societal life and the artistic expressions of the 1960s and 70s. Old LP jackets, Giallo posters, vintage book covers, and B-movie cinema themes have defined their taste for this project. Initially they set out to capture something simple and sexy; as the shoots progressed, however, natural story lines emerged. The resulting work captures the smell of those decades and expresses them in a fresh way."--