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Theatrical Liberalism
“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theate...
Making Americans
From 1925 to 1951--three chaotic decades of depression, war, and social upheaval--Jewish writers brought to the musical stage a powerfully appealing vision of America fashioned through song and dance. It was an optimistic, meritocratic, selectively inclusive America in which Jews could at once lose and find themselves--assimilation enacted onstage and off, as Andrea Most shows. This book examines two interwoven narratives crucial to an understanding of twentieth-century American culture: the stories of Jewish acculturation and of the development of the American musical. Here we delve into the work of the most influential artists of the genre during the years surrounding World War II--Irving ...
The Women of Warner Brothers
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
His Last Mistress
Set in the tumultuous late 17th Century, His Last Mistress tells the true story of the final years in the life of James Scott, the dashing but doomed Duke of Monmouth, and Lady Henrietta Wentworth. As the popular but illegitimate eldest son of King Charles II, the Duke is a spoiled, lecherous man. With both a wife and a mistress, this rakish libertine is nevertheless captivated by the innocence of young Lady Henrietta Wentworth, who has been raised to covet her virtue. Will she succumb? At the same time, the Duke begins to harbour risky political ambitions which may threaten not only his life but also that of those around him. Will the path he chooses lead him to bloody rebellion, or peace and happiness? His Last Mistress is a passionate, sometimes explicit, carefully researched and ultimately moving story of love and loss, set against a backdrop of dangerous political unrest, brutal religious tensions, and the looming question of who will be the next King.
Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
The Quarterly Review
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The Transgressive Iain Banks
This collection of 12 new essays brings together prominent literary experts to explore the importance of Scottish writer Iain (M.) Banks, both his mainstream and science fiction work. It considers Banks as a habitual border crosser who makes things fresh and new by subversive and transgressive strategies. The essays are divided into four thematic areas--the Scottish context, the geographies of his writing, the impact of genre and a combined focus on gender, games and play--and will be of particular interest to scholars of contemporary literature, Scottish literature and science fiction.
Driving For Love
Andrea Moore needs a second job to make ends meet. Driving for CarCall, a new pick up service is perfect for her. It allows her to drive when she wants and where and she makes good money at it. She expected a few snags like snobbish riders and so on. What she didn't expect was for love to fall into her lap. And after a failed attempt with her ex she is skeptical. Can this one be the one for her? It's anyone's guess. Robert W. Chaney, entrepreneur, womanizer or so it seems, and a confirmed bachelor. Until he takes a ride and sees hazel eyes in the rear-view mirror of the car. Can he take a chance? Does he even dare?
