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Margarita, an exile in the United States, is struggling to come to terms with her divided identity, a past she has suppressed, and her failure to share her heritage with her children.
As an island—a geographical space with mutable and porous borders—Cuba has never been a fixed cultural, political, or geographical entity. Migration and exile have always informed the Cuban experience, and loss and displacement have figured as central preoccupations among Cuban artists and intellectuals. A major expression of this experience is the unconventional, multi-generational, itinerant, and ongoing art exhibit CAFÉ: The Journeys of Cuban Artists. In Cuban Artists Across the Diaspora, Andrea O'Reilly Herrera focuses on the CAFÉ project to explore Cuba's long and turbulent history of movement and rupture from the perspective of its visual arts and to meditate upon the manner in w...
In feminism, the institution of mothering/motherhood has been a highly contested area in how it relates to the oppression of women. As Adrienne Rich articulated in her classic 1976 book Of Woman Born: Motherhood as Experience and Institution, although motherhood as an institution is a male-defined site of oppression, women's own experiences of mothering can nonetheless be a source of power. This volume examines four locations wherin motherhood is simultaneously experienced as a site of oppression and of power: emodiment, representation, practice, and separation. Motherhood: Power and Oppression includes psychological, historical, sociological, literary, and cultural approaches to inquiry and a wide range of disciplinary perspectives — qualitative, quantitative, corporeal, legal, religious, fictional, mythological, dramatic and action research. This rich collection not only covers a wide range of subject matter but also illustrates ways of doing feminist research and practice.
In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.
The collection considers the work of ten women writers: Nella Larsen, Zelda Fitzgerald, Flannery O'Connor, Eudora Welty, Sylvia Plath, Hisaye Yamamoto, Toni Morrison, Maxine Hong Kingston, Louise Erdrich, and Sandra Cisneros.
One hundred testimonies on the Cuban diaspora are gathered together from narratives, interviews, creative writing, letters, journal entries, photographs, and paintings to capture the strong emotions surrounding this ongoing ordeal. Simultaneous.
This book not only celebrates the 10th anniversary of the Secret Weavers series, but also provides teachers of multiethnic literature with a diverse range of Latin American women's voices addressing a wide variety of topics. The book includes work from the earliest writers to those who have recently established themselves as major voices in Latin American letters.
Written by four authors from different disciplinary backgrounds, this reader promotes a commitment to an intersectional approach to teaching race, class, gender and sexuality. Unlike most books of its kind, it highlights the duality of privilege and oppression and the effects that race, gender, and sexuality have on our lives. This reader includes poems, reflective literary prose, historical events and documents, images drawn from the media, contemporary statistics of inequalities, visual images, and tools that empower students to become agents for social change.
In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women. Tracing the development of the historical novel in four periods of the...
Attitudes Aren't Free: Thinking Deeply About Diversity in the US Armed Services ISBN: 9780982018569 LCCN: LCCN2010282390 Published June 2010 by Air University Press.