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A European Television History
European Television History brings together television historians and media scholars to chart the development of television in Europe since its inception. The volume interrogates the history of the medium in divergent political, economic, cultural and ideological national contexts Taking a comparative approach to the topic, the volume is organized around a set of common questions, themes, and methodological reflections Deals with European television in the context of television historiography and transnational traditions Case study chapters written by scholars from different European countries to reflect their specific areas of expertise
Made in Europe
This edited collection studies the production and dissemination of popular music, tourism, cinema, fashion, broadcasting programmes, advertising and coffee in Western Europe in the twentieth century. Focussing on the supply side of popular culture, it addresses a field of study that is neglected in European historiography. Moreover, it provides a theoretical and methodological discussion that takes into account the inherent dynamics of content production and the role of cultural intermediaries in the change of cultural repertoires. Taking key developments in the culture industries in the USA as a point of reference, the book highlights particularities of cultural production in Europe. It identifies a greater autonomy of creatives, stronger influence of critics and a lesser concern with audience research as three characteristics of the production regime in Western Europe. It takes into view the transfer of popular culture across the Atlantic and between European countries and offers new insights into research on the cultural Americanisation of Europe. This book was originally published as a special issue of the European Review of History.
Communicating Europe
Since the early years of telegraphy, modernity at large generated and has depended upon technologies of electrical/electronic communication and information circulation: from telephone, radio, and television to the internet. This volume reveals these connecting technologies’ geopolitical importance and their crucial relationships with culture, commerce, and communities. Also the authors critically examine their spatial dimensions and transnational implications – as material objects with particular qualities, as elements in institutional complexes, and as ‘vehicles’ carrying complex symbolic meanings. Through in-depth assessments of critical, as well as mundane, events in the history of communications and information, these analyses will significantly alter conventional perspectives both on communications and on modern European history.
Europe - On Air
During the interwar years, broadcast radio became a popular way for Europeans to consume local, national, and international news. The medium not only began to shape European policy and politics, but also laid the foundation for European unification and global interconnectedness. In Europe On Air, Suzanne Lommers has documented the rich and often underexposed history of broadcast radio through the lens of international European relations. She specifically explores the roles of Radio Moscow, Radio Luxembourg, Vatican Radio, and the International Broadcasting Union as institutions that played an important role in national identities and establishing standards for broadcasting. The radio also offered new opportunities to politicians, who seized upon a vibrant and more direct way to communicate with their constituents. Essential reading for scholars of technology and European history, Europe-On Air reveals broadcast radio to be a technology that revolutionized international relations during the brief respite between the chaos of war in Europe.
The Digital Transformation of the European Border Regime
This book offers an in-depth investigation into the digitizsation processes of Europe’s border regime. With a focus on the European Union agency eu-LISA, one of the most significant actors in the digital border regime, it shows how sociotechnical imaginations drives the future of borders and European governance of mobility.
The Global Wireless
The Global Wireless charts a history of wireless beginning in the 1910s, when it was used as a tool for global communication, and ending as it declined and slowly fell from view. Located at a crossroads of media history and science and technology studies, The Global Wireless recounts how the advent of wireless technologies created a novel socio-technical problem: since radio signals easily and unwittingly crossed national borders, they challenged existing systems and standards of national media infrastructure control. The book further examines the political negotiations around the International Telecommunication Union, the growth of international communication networks, and the expansion of global media companies on the eve of World War I. The Global Wireless demonstrates that long before Wi-Fi and 5G, another wireless technology had already spread around the globe and prompted, in its wake, a radical reconsideration of networked communication and community. The Global Wireless should appeal to a broad range of readers, from specialists in the history of radio, technology, and global politics, to professionals and hobbyists in today’s wireless and radio industries.
Television Beyond and Across the Iron Curtain
From the mid-1950s onwards, the rise of television as a mass medium took place in many East and West European countries. As the most influential mass medium of the Cold War, television triggered new practices of consumption and media production, and of communication and exchange on both sides of the Iron Curtain. This volume leans on the long-neglected fact that, even during the Cold War era, television could easily become a cross-border matter. As such, it brings together transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television. In particular, the authors provide empirical ground to include socia...
Doing Digital Film History
How has the digital turn shaped the practices of film historical research and teaching? While computational approaches have been used by film historians since the 1960s and 1970s, the arrival and use of digital tools and methods in recent decades has fundamentally changed the ways we search, analyze, interpret, present, and so think and write about film history – from digital archival and curatorial practices, data-driven search, and analysis of film historical collections to the visualization and dissemination of film historical materials online. While film historians have increasingly embraced the new possibilities brought by digital technologies, their practical, epistemological, and me...
Hacking Europe
Hacking Europe traces the user practices of chopping games in Warsaw, hacking software in Athens, creating chaos in Hamburg, producing demos in Turku, and partying with computing in Zagreb and Amsterdam. Focusing on several European countries at the end of the Cold War, the book shows the digital development was not an exclusively American affair. Local hacker communities appropriated the computer and forged new cultures around it like the hackers in Yugoslavia, Poland and Finland, who showed off their tricks and creating distinct “demoscenes.” Together the essays reflect a diverse palette of cultural practices by which European users domesticated computer technologies. Each chapter explores the mediating actors instrumental in introducing and spreading the cultures of computing around Europe. More generally, the “ludological” element--the role of mischief, humor, and play--discussed here as crucial for analysis of hacker culture, opens new vistas for the study of the history of technology.
Transnational Television History
Although television has developed into a major agent of the transnational and global flow of information and entertainment, television historiography and scholarship largely remains a national endeavour, partly due to the fact that television has been understood as a tool for the creation of national identity. But the breaking of the quasi-monopoly of public service broadcasters all over Europe in the 1980s has changed the television landscape, and cross-border television channels - with the help of satellite and the Internet - have catapulted the relatively closed television nations into the universe of globalized media channels. At least, this is the picture painted by the popular meta-nar...
