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Hutterite Roots
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Origin & Ancestors Families Karle & Kaiser of the German-Russian Volga Colonies
"Join me in this book as I stumble my way across das Mutterland to learn all I can about my maternal and paternal surnames, Karle & Kaiser, and my other forty-five ancestral surnames (Adolf, Andreas, Arp, Arnst, Becker, Bopp, Burbach, Dagenheim, Foht, Freund, Geringer, Grun, Hart, Heiland, Hermann, Hess, Heylmann, Hieronymus, Horn, Ikstadt, Kohler, Kramer, Lieders, Maurer, Michel, Neumann, Nicolausen, Nillmayer, Popp, Roth, Rudolph, Schaeffer, Scherer, Schiller, Schmiedt, Schneider, Schutz, Simon, Steitz, Trieber, Trippel, Vogt, Werner, Will, Zeichmann). Read how the Black Death, and the 30 Years and 7 Years Wars plagued them. Learn of the Catherine the Great "Scam" and its effect on the Volga Germans. Share their fear as the Russians close in. Travel with them to their new homeland in the Americas." Traces the origins of Karle & Kaiser from about 50,000BC. Covers DNA tracking, pre-German history, religion, the Volga life and villages, and escape to the Americas. Over 560 pages,200 pictures,80 maps.
The Mystery of the Military Establishment
The boys, who call themselves the ‘Adventurers’, hit upon something mysterious while playing on the beach in a small town of Germany. The boys observe something suspicious about a nondescript yacht at the beach called ‘The Southern Star’. Out of curiosity, they start exploring. As they go deeper in the mystery, they uncover a more sinister plot risking the secrets of the Military Establishment. Something dangerous could happen soon, but not if they can stop it. They will have to do it alone, without much help. Will they be up to the task?
The Hangman's Daughter
Hangman Jakob Kuisl is called upon to investigate whether witchcraft is being practiced in the small town of Schongau in 1659 after a dying boy is pulled from the river with a mark crudely tattooed on his shoulder.
The Eighteenth-Century Fortepiano Grand and Its Patrons
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
Cyclopaedia
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