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A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion t...
Die Niedersächsische Akademie in Göttingen hat 1990 im Rahmen des Akademienprogramms ein schon seit 1974 bestehendes Projekt zur Edition byzantinischer Rechtsquellen unter Leitung von Dieter Simon übernommen. Zu seinem Abschluss Ende 2021 fand in Sofia ein Kolloquium statt, das von der Niedersächsischen und der Bulgarischen Akademie der Wissenschaften ausgerichtet wurde, und dessen Akten hier vorliegen. Ziel der Beiträge war es, nicht nur Editionsmethoden, die im Verlaufe des Projekts durchgeführt wurden, zu demonstrieren, sondern auch das byzantinische zivile und kanonische Recht im Rahmen auswärtiger Rechtssysteme, insbesondere slavischer und muslimischer Länder, zu positionieren. Eine Darstellung finden zudem epigraphische Rechtsquellen, die Rolle der platonischen Gesetze in Byzanz und die Bedeutung des Rechts im Rahmen der Medizin. Die zwanzig Beiträge in deutscher, englischer und französischer Sprache betonen, neben speziellen Fachfragen, auch die Rolle des Rechts insgesamt als kulturgeschichtlicher Faktor in Byzanz, den Balkanstaaten, Osteuropa und der angrenzenden islamischen Welt im Mittelalter.
The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period...
Alice-Mary Talbot has profoundly influenced Byzantine Studies in America and Europe, focusing her scholarship upon the social context of Byzantine religious practices. As Director of Byzantine Studies at Dumbarton Oaks and as editor of Dumbarton Oaks Papers, she touched the professional lives of senior and junior Byzantinists alike. This collection of twenty-five articles from scholars associated with her at various stages in her career compasses such varied disciplines as art history, social history, literature, epigraphy, numismatics and sigillography; contributions are grouped in three related sections: “Women,” “Icons and Images,” and finally “Texts, Practices, Spaces.” Illus...
This edited volume includes a compilation of new approaches to the investigation of inscriptions from different cultural contexts. Innovative research questions about "material text cultures" are examined with reference to Classical Athens, late ancient and Byzantine churches and urban spaces, Hellenistic and Roman cities, and medieval buildings.
In twenty-five chapters by leading scholars, this volume propagates a nuanced understanding of Byzantine "literature", highlighting key problems, and presenting basic research tools for an audience of specialists and non-specialists.
In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society. By providing a detailed account of the various media through which poetry was presented to its readers, and by tracing the initial circulation of poems, this volume takes an interest in the Byzantine reader and his/her reading habits and strategies, all...
This volume is the first scholarly work in English examining the history of the town and district of Limassol in Cyprus from antiquity to the 1570/1 Ottoman conquest of the island. Based on original research and adopting a multidisciplinary approach, six established scholars study Limassol’s political, social, and economic history, as well as its artistic and cultural contribution in ancient, Byzantine, Frankish, and Venetian times. A second volume will explore the history of Limassol up to 1960.
In the early nineteenth century, the most consequential developments in Ottoman architecture were taking place not in Istanbul but in the farthest reaches of imperial territory. Emily Neumeier investigates this wider phenomenon through a consideration of the architecture of Ali Pasha of Ioannina, one of the most prolific patrons in the history of the Ottoman Empire, who undertook a building program so ambitious that it ultimately got him killed. Ali Pasha is still a household name in present-day Greece and Albania, where he served as Ottoman governor from 1788 to 1822. To consolidate his rule over an incredibly diverse population, the governor set out on a sweeping building program that incl...