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Primary Documents
This text presents documents drawn from the artistic archives of Eastern and Central Europe during the second half of the 20th century.
Queer(ing) Russian Art
While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
In an Absolute Disorder
In An Absolute Disorder displays the works of artists nominated for the Kandinsky Prize - Russia foremost award for contemporary art - since 2007. With a brief introduction about each artist and their selected works, this superbly illustrated volume gives readers an insightful and illuminating panoramic overview of Russian contemporary art.
Paper Revolutions
The experimental practices of a group of artists in the former East Germany upends assumptions underpinning Western art’s postwar histories. In Paper Revolutions, Sarah James offers a radical rethinking of experimental art in the former East Germany (the GDR). Countering conventional accounts that claim artistic practices in the GDR were isolated and conservative, James introduces a new narrative of neo-avantgarde practice in the Eastern Bloc that subverts many of the assumptions underpinning Western art’s postwar histories. She grounds her argument in the practice of four artists who, uniquely positioned outside academies, museums, and the art market, as these functioned in the West, cr...
Flexible Authoritarianism
Flexible Authoritarianism challenges the idea that the transnational rise of authoritarianism is a backlash against economic globalization and neoliberal capitalism. Flexible authoritarianism--a form of government that simultaneously incentivizes a can-do spirit and suppresses dissent--reflects the resonance between authoritarian and neoliberal ideologies in today's comeback of strongman rule. The book conveys the look and feel of flexible authoritarianism in Russia through the eyes of up-and-coming youth. Drawing on field observations, in-depth interviews, and analyses of documents and video clips, Anna Schwenck demonstrates how flexible authoritarianism is stabilized ideologically by the insignia of cool start-up capitalism and by familiar cultural forms such as the summer camp. It critically evaluates how loyalty to the regime--the order underlying political and economic life in a polity--is produced and contested among those young people who seek key positions in politics, business, the public sector, or creative industries.
Reinventing Jewish Art in the Age of Multiple Modernities
Can studying an artist’s migration provide the key to unlocking a “global” history of art? The artistic biography of Michail Grobman and his group, which was active in Israel in the 1970s, open up this vital new perspective and analytical mode.
Ideology and Meaning-Making under the Putin Regime
Much has been written to try to understand the ideological characteristics of the current Russian government, as well as what is happening inside the mind of Vladimir Putin. Refusing pundits' clichés that depict the Russian regime as either a cynical kleptocracy or the product of Putin's grand Machiavellian designs, Ideology and Meaning-Making under the Putin Regime offers a critical genealogy of ideology in Russia today. Marlene Laruelle provides an innovative, multi-method analysis of the Russian regime's ideological production process and the ways it is operationalized in both domestic and foreign policies. Ideology and Meaning-Making under the Putin Regime reclaims the study of ideology as an unavoidable component of the tools we use to render the world intelligible and represents a significant contribution to the scholarly debate on the interaction between ideas and policy decisions. By placing the current Russian regime into a broader context of different strains of strategic culture, ideological interest groups, and intellectual history, this book gives readers key insights into how the Russo-Ukrainian War became possible and the role ideology played in enabling it.
