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Walter Benjamin and History
The first book to examine in detail Benjamin's Theses on the Philosophy of History Benjamin's collection of fragments, Theses on the Philosophy of History, play a determining role in how Benjamin's thought is understood, as well as in the debate about the interplay between politics, history and time. Walter Benjamin and History is the first volume to give access to the themes and problems raised by the Theses, providing valuable exegetical and historical work on the text. The essays collected here are all the work of noted Benjamin scholars, and pursue the themes central to the Theses.
Sparks Will Fly
Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger. Despite being contemporaries, Walter Benjamin and Martin Heidegger never directly engaged with one another. Yet, Hannah Arendt, who knew both men, pointed out common ground between the two. Both were concerned with the destruction of metaphysics, the development of a new way of reading and understanding literature and art, and the formulation of radical theories about time and history. On the other hand, their life trajectories and political commitments were radically different. In a 1930 letter, Benjamin told a friend that he had been reading Heidegger and that if the two were to engage with one another, sparks will fly. Acknowledging both their affinities and points of conflict, this volume stages that confrontation, focusing in particular on temporality, Romanticism, and politics in their work.
Art's Philosophical Work
What is the work of art? How does art work as art? Andrew Benjamin contends that the only way to address these questions is by developing a radically new materialist philosophy of art, and by rethinking the history of art from within that perspective. A materialist philosophy of art starts with the contention that meaning is only ever the after effect of the way in which materials work. Starting with the relation between history, materials and work (art’s work), this book opens up a highly original reconfiguration of the philosophy of art. Benjamin undertakes a major project that seeks to develop a set of complex interarticulations between art history and an approach to art’s work that emphasizes art’s material presence. A philosophy of art emerges from the limitations of aesthetics.
Working with Walter Benjamin
This book provides a highly original approach to the writings of the twentieth-century German philosopher Walter Benjamin by one of his most distinguished readers. It develops the idea of 'working with' Benjamin, seeking both to read his corpus and to put it to work - to show how a reading of Benjamin can open up issues that may not themselves be immediately at stake in his texts. The defining elements in Benjamin's writings that Andrew Benjamin isolates - history, experience, translation, technical reproducibility and politics - are put to work; that is, their utility is established in engaging the works of others. The question is how utility is understood. As Andrew Benjamin argues, utilit...
Writing in the Still
Writing in the Still is the first book of poetry from renowned philosopher Andrew Benjamin. Condensing and intensifying a lifetime's work on the imbrication of thinking and writing, poetry and philosophy, art and culture, Benjamin draws on an extraordinary range of images, tones and languages in poems that both sustain and call on thought. Within them angels flee and yet still return, figures form in the opening of light's shadow, and sounds register in a beginning before beginnings. Language opens and continues; holding back while holding forth. Writing that is at once lyrical and passionate, calm and profound, arises from the still of poetry. This is a unique collection from a writer-thinker at the height of his powers.
Towards a Relational Ontology
An original philosophical account of relational ontology drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger. In this original work of philosophy, Andrew Benjamin calls for a new understanding of relationality, one inaugurating a philosophical mode of thought that takes relations among people and events as primary, over and above conceptions of simple particularity or abstraction. Drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger, Benjamin shows that a relational ontology has always been at work within the history of philosophy even though philosophy has been reluctant to affirm its presence. Arguing for what he calls anoriginal relationality, he demonstra...
Of Jews And Animals
By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals.As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other.
Disclosing Spaces
In recent decades the proliferation of art practices has left behind the critical frameworks needed to understand and appraise art. In Disclosing Spaces, Andrew Benjamin diagnoses and addresses this failure in terms of the role of criticism itself, proposing a realignment of the relationship between painting and criticism at a fundamental level. Broaching the idea that 'Paintings are not examples; not even of paintings, ' the consequences are played out against modern art theory in a uniquely philosophical way. An individual art work cannot be seen in any straightforward way as a 'particular' of an established 'universal' that we might call art: painting is not reducible to a determined form...
Virtue in Being
A radical rethinking of ethics set within the development of a philosophical anthropology. In his last book, Towards a Relational Ontology, Andrew Benjamin provided a philosophical account of what he terms anoriginal relationality, demonstrating how this concept can be seen to be at work throughout the history of philosophy. In Virtue in Being, he builds on that project to argue for a new way of understanding the relationship between ontology and ethics through insightful readings of texts by Immanuel Kant, Hannah Arendt, and Jacques Derrida. Structuring the book around the themes of violence, evil, and pardon, Benjamin builds a convincing case for the connections he draws between thinkers not commonly associated with one another. In this original and engaging study, Benjamin opens a nuanced dialogue between the work of Kant, Arendt, and Derrida to create a conversation about virtue that illuminates our human condition. Benjamins innovative scholarship enriches our understanding of each of the figures he treats. Elizabeth Millán Brusslan, author of Friedrich Schlegel and the Emergence of Romantic Philosophy
Writing Art and Architecture
In his new book, the eminent philosopher Andrew Benjamin turns his attention to architecture, design, sculpture, painting and writing. Drawing predominantly on a European tradition of modern philosophical criticism running from the German Romantics through Walter Benjamin and beyond, he offers a sequence of strong meditations on a diverse ensemble of works and themes: on the library and the house, on architectural theory, on Rachel Whiteread, Peter Eisenman, Anselm Kiefer, Peter Nielson, David Hawley, Terri Bird, Elizabeth Presa and others.In Benjamin¿s hands, criticism is bound up with judgment. Objects of criticism always become more than mere documents. These essays dissolve the prejudic...
