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Architectural Philosophy
Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and theory. This dazzling sequence of essays opens out the subject of architecture, touching on issues as wide ranging as the problem of memory and the dystopias of science fiction. Arguing for the indissolubility of form and function, Architectural Philosophy explores both the definition of the site and the possibility of alterity. The analysis of the nature of the present and the complex sructure of repetition allows for the possibility of judgement, a judgement that arises from a reworked politics of architecture.
Art's Philosophical Work
What is the work of art? How does art work as art? Andrew Benjamin contends that the only way to address these questions is by developing a radically new materialist philosophy of art, and by rethinking the history of art from within that perspective. A materialist philosophy of art starts with the contention that meaning is only ever the after effect of the way in which materials work. Starting with the relation between history, materials and work (art’s work), this book opens up a highly original reconfiguration of the philosophy of art. Benjamin undertakes a major project that seeks to develop a set of complex interarticulations between art history and an approach to art’s work that emphasizes art’s material presence. A philosophy of art emerges from the limitations of aesthetics.
Working with Walter Benjamin
This book provides a highly original approach to the writings of the twentieth-century German philosopher Walter Benjamin by one of his most distinguished readers. It develops the idea of 'working with' Benjamin, seeking both to read his corpus and to put it to work - to show how a reading of Benjamin can open up issues that may not themselves be immediately at stake in his texts. The defining elements in Benjamin's writings that Andrew Benjamin isolates - history, experience, translation, technical reproducibility and politics - are put to work; that is, their utility is established in engaging the works of others. The question is how utility is understood. As Andrew Benjamin argues, utilit...
Towards a Relational Ontology
In this original work of philosophy, Andrew Benjamin calls for a new understanding of relationality, one inaugurating a philosophical mode of thought that takes relations among people and events as primary, over and above conceptions of simple particularity or abstraction. Drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger, Benjamin shows that a relational ontology has always been at work within the history of philosophy even though philosophy has been reluctant to affirm its presence. Arguing for what he calls anoriginal relationality, he demonstrates that the already present status of a relational ontology is philosophy's other possibility. Touching on a range of topics including community, human-animal relations, and intimacy, Benjamin's thoughtful and penetrating distillation of ancient, modern, and twentieth-century philosophical ideas, and his judicious attention to art and literature make this book a model for original philosophical thinking and writing.
Walter Benjamin's Philosophy
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
Present Hope
Discusses the philosophical problem of how that which is different is to be understood. Thinking the "incomplete" outside the oscillation between the complete and its opposite demands the introduction of another conceptual apparatus. Differing conceptual moments can be clarified by allowing them to be conceptually present; what becomes essential is tracing the effect of their work. Relating to the Shoah, contends that while there is an imperative to know it, it can never really be known. Ch. 3 (pp. 56-74), "Shoah, Remembrance and the Abeyance of Fate: Walter Benjamin's 'Fate and Character'", discusses how the themes in Benjamin's work (e.g. hope, remembrance), written in 1919, can be applied to the Shoah. Ch. 5 (pp. 103-118), "The Architecture of Hope: Daniel Libeskind's Jewish Museum" (part of the Berlin Museum), relates to the question of how Christian Europe has inscribed its Jews in art and architecture, giving two examples: the medieval sculpture of the Synagogue on the Strasbourg Cathedral and Libeskind's museum. Discusses how these two works raise the question of the distinction between the identity of Jewish being and of being a Jew.
Of Jews And Animals
By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals.As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other.
Sparks Will Fly
Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger. Despite being contemporaries, Walter Benjamin and Martin Heidegger never directly engaged with one another. Yet, Hannah Arendt, who knew both men, pointed out common ground between the two. Both were concerned with the destruction of metaphysics, the development of a new way of reading and understanding literature and art, and the formulation of radical theories about time and history. On the other hand, their life trajectories and political commitments were radically different. In a 1930 letter, Benjamin told a friend that he had been reading Heidegger and that if the two were to engage with one another, sparks will fly. Acknowledging both their affinities and points of conflict, this volume stages that confrontation, focusing in particular on temporality, Romanticism, and politics in their work.
Virtue in Being
In his last book, Towards a Relational Ontology, Andrew Benjamin provided a philosophical account of what he terms anoriginal relationality, demonstrating how this concept can be seen to be at work throughout the history of philosophy. In Virtue in Being, he builds on that project to argue for a new way of understanding the relationship between ontology and ethics through insightful readings of texts by Immanuel Kant, Hannah Arendt, and Jacques Derrida. Structuring the book around the themes of violence, evil, and pardon, Benjamin builds a convincing case for the connections he draws between thinkers not commonly associated with one another.
What is Abstraction?
Auth: University of Warwick.
