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Britain's coal mining communities are often regarded as exemplars of the working class community without compare. However, to what extent can it be said that such communities persist in the face of the loss of their central material referent? The coal industry in Britain has been in dramatic decline since the 1950s, and that decline become practically terminal following the Miner's Strike of 1984-85. In this book Andrew Dawson considers this question in relation to the last generation of coal-mining people in a large Northumbrian mining town. What becomes clear is that the idea of the coal mining community persists as a resource that is central in the mediation of life's crises, from unemployment to death.
It's the life journey of a guy named Andrew Dawson in the 16th century. Unexpected events changed his life. In this novel, we can find the true bond of family, true friendship, a love story, romance, advenyute, etc.
Introduces the Brazilian new religion and treats it in relation to ongoing developments influencing the status, nature and future of religion in the modern world.
Friendship is everything, even if you’re a bit of a wild one like Walter the Warthog. Join him as he meets new buddies, overcomes challenges, surfs his heart out and has a lekker braai or two. Veld Friends is a series for kids of all ages set around the Waterhole and starring a loveable cast of uniquely South African animals, including Sindele the Stork, Mandla the Hippo and Beukus the Baboon. You’ll laugh. You’ll cry. You’ll want to hold your nose for a while when Walter farts. Is there anything more fun than reading a Veld Friends story with a kid? Probably not.
Global movement is commonly characterized as one of the quintessential experiences of our age. Market forces, territorial conflicts and environmental changes uproot an increasing number of people, while mass communication, travel, tourism, and a global market of commodities, texts, tastes, fashions and ideologies place individuals more than ever in a global arena. As traditional conceptions of individuals as members of stationary, fixed and separate societies and cultures no longer convince, to what extent does movement become central to individuals' self-conceptions? How do people cultivate, negotiate, nurture and maintain an identity? To what extent do individuals become ‘migrants of ide...
In the mid-1800s, Andrew Dawson, self-exiled from his home in Scotland, joined the upper Missouri River fur trade and rose through the ranks of the American Fur Company. A headstrong young man, he had come to America at the age of twenty-four after being dismissed from his second job in two years. His poignant sense of isolation is evident throughout his letters home between 1844 and 1861. In This Far-Off Wild Land, Lesley Wischmann and Andrew Erskine Dawson—a relative of this colorful figure—couple an engaging biography of Dawson with thirty-seven of his previously unpublished letters from the American frontier. Three years after he landed in St. Louis, Dawson went up the Missouri in 18...
New Era - New Religions examines new forms of religion in Brazil. The largest and most vibrant country in Latin America, Brazil is home to some of the world's fastest growing religious movements and has enthusiastically greeted home-grown new religions and imported spiritual movements and new age organizations. In Brazil and beyond, these novel religious phenomena are reshaping contemporary understandings of religion and what it means to be religious. To better understand the changing face of twenty-first-century religion, New Era - New Religions situates the rise of new era religiosity within the broader context of late-modern society and its ongoing transformation.
"Shane Dawson, dubbed 'YouTube's comic for the under-30 set' by the New York Times, reveals some of his most embarrassing moments in 20 original, personal essays that are at once hilarious and heartwarming, self-deprecating, and ultimately inspiring to his audience of more than 12 million channel subscribers"--
This ... work ... examines spirit possession rituals in relation to interpersonal, institutional, structural and expressive processes, and underscores the potential of possession to adapt to changing circumstances. Each chapter offers ethnographically grounded and theoretically engaged analyses of possession ...
Like many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The book provides detailed analyses of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions involved in film and television production. Drawing together the work of historians, film scholars, and anthropologists, it looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo. Chronologically wide-ranging, interdisciplinary and international in scope, it is a unique introduction, critical for all students of the film industries and film production.