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Natural Processes
In thinking about ontology as the study of being or what fundamentally exists, we can adopt an ontology that either takes substances or processes as primary. There are, however, both commonsense and naturalistic reasons for not fully adopting a substance ontology, which indicate that we ought to suspend judgment with respect to the acceptance of a substance ontology. Doing so allows room to further explore other ontologies. In this book, Andrew M. Winters argues that there are both commonsense and naturalistic reasons for further pursuing a process ontology. Adopting a process ontology allows us to overcome many of the difficulties facing a substance ontology while also accommodating many of the phenomenon that substance ontologies were appealed to for explanation. Given these reasons, we have both commonsense and naturalistic reasons for pursuing and developing a metaphysics without substance.
Neon Genesis Evangelion and Philosophy
When most people think of anime, they think of large-eyed adolescents fighting fearsome monsters (kaijū). On the surface, Neon Genesis Evangelion is just the same, filled with destructive explosions and gigantic EVA missiles that can only be piloted by super-hot teens. But as every otaku knows, anime as a stylized artform has much more to offer, often pushing the artistic, emotional, and intellectual boundaries of its audiences with its storylines. Neon Genesis Evangelion is one such anime: beyond the fearsome monsters and Evangelions, Neon Genesis explores the depths of the psyches of the adolescents when they become the very weapons needed to destroy the onslaught of Angels. The emotional...
Stranger Things and Philosophy
Stranger Things and Philosophy is an important book, the first of its kind to examine the fantastical world of this award-winning, widely beloved, phenomenal show with a philosophical lens. This is important precisely because the show rests so heavily on a complex and thought-provoking mythos based around secretive government experiments and a parallel dimension that darkly reflects readers' own. The series as a whole has asked more questions than it has delivered answers, and the chapters in this volume will explore these topics. From the deepest recesses of the Upside Down, its tunnels snaking beneath the local bookstores of Hawkins, Indiana and who knows where else, this collection of philosophical musings on the world of Stranger Things promises to enlighten readers. This volume considers many of the philosophically related ideas that that come up in the show such as: What are the moral implications of secret government projects? What is the nature of friendship? Does scientific research need to be concerned with ethics? What might it be like to experience the world from the perspective of the Mind Flayer? Is it possible to understand the metaphysics of the Upside Down?
Origin(s) of Design in Nature
Origin(s) of Design in Nature is a collection of over 40 articles from prominent researchers in the life, physical, and social sciences, medicine, and the philosophy of science that all address the philosophical and scientific question of how design emerged in the natural world. The volume offers a large variety of perspectives on the design debate including progressive accounts from artificial life, embryology, complexity, cosmology, theology and the philosophy of biology. This book is volume 23 of the series, Cellular Origin, Life in Extreme Habitats and Astrobiology. www.springer.com/series/5775
Hollywood Remaking
"From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"--
David Fincher's Zodiac
David Fincher’s Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film. This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film’s unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac’s treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.
Civil War Records
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