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Andrew Marton
"His remembrances of the German film industry in the 1920s and 1930s are fascinating....important document on German and American filmmaking." CLASSIC IMAGES
Wall Street People
"Wall Street People" ist das erste komplette Who's Who in der Geschichte der bekanntesten Finanzstra?e der Welt. Charles Ellis und James Vertin - zwei Wall Street Insider - portratieren hier Dutzende der faszinierendsten, einflussreichsten und popularsten Finanzgro?en, die jemals Licht in das sagenumwobene Dunkel der beruhmten Wall Street gebracht haben. Erzahlt werden spannende Geschichten uber das Geld - daruber, wie es gewonnen und verloren wurde, uber phanomenale Coups, dreisten Schwindel, unbandige Gier und blinden Ehrgeiz. Enthalten sind Portrats der ganz Gro?en in der Finanzarena, wie z.B. Alan Greenspan, Warren Buffett, Larry Tisch, Jim Rogers, Sanford Weill und George Soros. Aber auch die gro?en Verlierer wie Ivan Boesky und Nicholas Leeson werden nicht ausgespart. Freuen Sie sich auf eine unterhaltsam-prickelnde Lekture uber die Wall Street und ihre ebenso beruhmten Finanzakteure!
Hearings
None
"Mountain of Destiny"
A study of how Nanga Parbat, the ninth-highest peak on earth, became the German "mountain of the mind."
Running the Race
Thundering across the screen, Judah Ben-Hur’s iconic chariot race against his former friend turned bitter foe remains an indelible part of cinematic history and established Charlton Heston as an international superstar. In many ways the race was a metaphor for the actor’s dynamic life, symbolizing his struggle to establish himself in his profession. Brian Steel Wills’ captures for the first time a comprehensive view of the actor’s climb to fame, his search for the perfect performance, and the meaningful roles he played in support of the causes he embraced in Running the Race: The “Public Face” of Charlton Heston. The actor was born and raised in the Michigan woodlands and suburbs...
The Movie Guide
From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.
S. Sylvan Simon, Moviemaker
He was Red Skelton's favorite director, and mentored Lucille Ball in the art of physical comedy. In his 15-year Hollywood career, S. Sylvan Simon (1910-1951) directed and/or produced more than 40 films, with stars like Lana Turner, Abbott and Costello, and Wallace Beery. Though he loved to make moviegoers laugh, he demonstrated his versatility with murder mysteries, war stories, and musicals. After a decade at MGM, he moved to Columbia, where he produced his own projects, including the Western melodrama Lust for Gold, and popular slapstick comedies like The Fuller Brush Girl. As head of production, reporting to irascible Harry Cohn, he produced the award-winning Born Yesterday, and was worki...
Keep Watching the Skies!
Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0).
Best Western Movies
This grab-bag of movie westerns ranges from the best to the worst; from lavish, no-expense-spared Cecil B. DeMille epics to Poverty Row double bills; from big-budget John Wayne vehicles like "In Old Oklahoma," "The War Wagon" and "The Fighting Kentuckian" to the sort of bottom-drawer product delivered by Sherman Scott and Monogram; from prestige, star-studded westerns like "My Darling Clementine" and "How the West Was Won" to the depths of "The Toughest Man in Arizona"; from the expertly crafted, super-popular "B" stables of Gene Autry, William Boyd, Roy Rogers, Charles Starrett and company to the fly-by-night efforts of long-forgotten brands like "The Range Busters." All reviews carry detailed credits. The book is rounded out with a Hopalong Cassidy filmography and many reproductions of original film posters.
Hollywood's Ancient Worlds
Jeffrey Richards examines the cultural, social, economic and technological circumstances that dictated the rise and decline of each successive cycle of Ancient World epics, from the silent film era, to the "golden age" of the 1950s, right up to the present day (Gladiator, 300, Rome). Analysis reveals that historical films are always as much about the time in which they are made as they are about the time in which they are set. The ancient world is often used to deliver messages to the contemporary audience about the present: hostility to totalitarian regimes both Fascist and Communist, concern at the decline of Christianity, support for the new state of Israel, celebrations of equality and democracy, and concern about changing gender roles. The whole adds up to a fresh look at a body of films that people think they know, but about which they will learn a good deal more.
