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The Contemporary American Crime Novel
As America's ethnic and racial character undergoes explosive transformation, its crime fictions trace, contest and celebrate the changes.The Contemporary American Crime Novelis an exciting book that offers a comprehensive review of recent developments in American crime fiction, exploring America's dynamic, fragmented multicultural landscape and how it has transformed the codes and conventions of the crime novel. Featured authors include James Ellroy, James Lee Burke, Sara Paretsky, Barbara Wilson, Chester Himes, Walter Mosley, Faye Kellerman, Alex Abella, and Chang-Rae Lee.
Unwilling Executioner
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
The Last Days of Newgate
'A story of high intrigue and low politics, brutal murder and cunning conspiracies . . . tangy and rambunctious stuff!' Observer 'Gripping and atmospheric' Daily Express 'Enjoyably disturbing . . . likely to leave the reader clamouring for more' TLS St Giles, London, 1829: three people have been brutally murdered and the city simmers with anger and political unrest. Pyke, sometime Bow Street Runner, sometime crook, finds himself accidentally embroiled in the murder investigation but quickly realises that he has stumbled into something more sinister and far-reaching. In his pursuit of the murderer, Pyke ruffles the feathers of some powerful people and, falsely accused of murder himself, he so...
The Routledge Companion to Crime Fiction
The Routledge Companion to Crime Fiction is a comprehensive introduction to crime fiction and crime fiction scholarship today. Across 45 original chapters, specialists in the field offer innovative approaches to the classics of the genre as well as ground-breaking mappings of emerging themes and trends. The volume is divided into three parts. Part I, Approaches, rearticulates the key theoretical questions posed by the crime genre. Part II, Devices, examines the textual characteristics of crime fiction. Part III, Interfaces investigates the complex ways in which crime fiction engages with the defining issues of its context – from policing and forensic science through war, migration and narcotics to digital media and the environment. Rigorously argued and engagingly written, the volume is indispensable both to students and scholars of crime fiction.
Straight Life
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life, is much more than a jazz book--it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
The Revenge of Captain Paine
Terrific second novel set in the criminal underworld of pre-Victorian England from the author of THE LAST DAYS OF NEWGATE It is 1835, and with the birth of the Industrial Revolution, railway fever sweeps the country. Pyke is uneasy with the luxury his aristocratic marriage has brought him, and when he is unofficially asked to investigate a decapitation, he can not resist the chance to resuscitate the old skills he learned on the streets. But with the industrial world comes a new and faceless enemy: men who have money and power, and who will stop at nothing in their pursuit of both. For Pyke, with his young wife and child and an elevated place in society to protect, the stakes have suddenly become alarmingly high. From the sweat shops of the east end to the palace of the Queen-in-waiting; from the elegant drawing rooms of the newly rich, to the blood-spattered backrooms of London's taverns, Pyke's investigation stirs up a hornets' nest of trouble. As the death toll rises, an alluring woman from his past returns, and Pyke must draw on all of his resources if he is to protect his family, and survive.
Dangerous Tastes
"Dangerous Tastes offers a fresh perspective on these exotic substances and the roles they have played over the centuries. The author shows how each region became part of a worldwide network of trade - with local consequences ranging from disaster to triumph."--BOOK JACKET.
American History and Contemporary Hollywood Film
Hollywood has a growing fascination with America's past. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It considers whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods.
The Cambridge Companion to American Crime Fiction
This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.
Pepper in Our Eyes
In November 1997, the world media converged on Vancouver to cover the Asia-Pacific Economic Cooperation summit. The major news story that emerged, however, had little to do with the crisis unfolding in the Asian economies. At the UBC campus, where the APEC leaders' meeting was held, a predictable student protest met with an unusually strong police response. A crowd of students was pepper-sprayed, along with a CBC cameraman. The dramatic video footage of the incident that appeared on the evening news shocked Canadians. The use of noxious chemicals to attack non-violent protesters somehow seemed un-Canadian. It looked more like something that police and soldiers in less democratic countries wo...
