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Fear Itself
1930s' America. Jimmy Nessheim, a young Special Agent in the fledgling FBI, is assigned to infiltrate a new German-American organisation known as the Bund. Ardently pro-Nazi, it is conspiring to sabotage President Roosevelt's efforts to stop Hitler's advance.
The Informant
Autumn 1941: most of the world is at war. America is hovering on the brink. Special Agent James Nessheim is stuck in Hollywood, working as an adviser to a studio making pro-FBI movies. And then one his key informants, Japanese-American Billy Osaka, asks to see him urgently. But before they can meet, Osaka vanishes. Nessheimâe(tm)s search for Osaka takes him to a Mob-run gambling club, through the dense streets of LAâe(tm)s Little Tokyo, from the seamy San Pedro docks to the hill-top ranch of a Communist sympathiser. As Nessheim begins to unravel Osakaâe(tm)s deadly secrets, he uncovers a chilling conspiracy to push America into the war. But other people are looking for Osaka too, and are prepared to kill anyone who gets in their way. A lethal race is on.
Fear Itself
It's the late 1930s in an America slowly pulling itself out of the Depression. War is threatening in Europe, but in America, with forty million citizens of German ancestry, there is great pressure to stay out of the fight. Jimmy Nessheim, a young Special Agent in the fledgling FBI, is assigned to infiltrate a new German-American organisation known as the Bund. Ardently pro-Nazi, it is conspiring to sabotage President Roosevelt's efforts to stop Hitler's advance. But as Nessheim's investigation takes him into the very heart of the Bund, it becomes increasingly clear that something far more sinister is at work, something that seems to lead directly to the White House. Drawn into the centre of Washington's high society, Nessheim finds himself caught up in a web of political intrigue and secret lives. But as he moves closer to the truth, an even more lethal plot emerges, one that could rewrite history in the most catastrophic of ways... Set in the tense years before the Second World War, Fear Itself offers a rich depiction of history as it was - and as it might have been. A compelling thriller, it tells the riveting story of a plot that had the potential to change the world
We Trade Our Night for Someone Else's Day
A thriller of the ex-Yugoslavia Wars. "Bodrozic, mediated by Ellen Elias-Bursac’s assured translation, chronicles what a country chooses to remember, and what it consciously forgets, with confidence and grace." —Sarah Weinman, New York Times Book Review The city of Vukovar, situated on Croatia's easternmost periphery, across the Danube River from Serbia, was the site of some of the worst violence in the wars that rocked ex-Yugoslavia in the early '90s. It is referred to only as "the city" throughout this taut political thriller from one of Europe's most celebrated young writers. In this city without a name, fences in schoolyards separate the children of Serbs from those of Croats, and ci...
The Tormenting of Lafayette Jackson
Part comic adventure, part novel of manners, this book crackles with wit and sparkles with surprise as it takes readers on a witty romp through Oxford politics and scholarship. Here are observations of both American foibles and English eccentricities.
Drive
A voyeuristic view of Los Angeles drivers in their own moving living rooms The culture of cars is an inseparable part of American life. Whether used for functional purposes or recreation, automobiles are expressions of our personality. They also represent the American ideals of freedom, mobility, and independence, providing a unique personal space that is at once private and public. Andrew Bush (b. 1956) examines this tension between private and public in his remarkable series of photographs of individuals driving cars in and around Los Angeles--a city famous for its car culture. By attaching a camera to the passenger side window, Bush made these pictures while driving alongside his subjects--often traveling at 60 mph. Taking notes on the speed and direction he was going, Bush created extended captions for the images and called the series Vector Portraits. Published here for the first time, this portfolio is accompanied by an essay by culture critic Patt Morrison and an interview between the photographer and Jeff L. Rosenheim that discusses the Vector Portraits in the context of Bush's photography as a whole.
Photography and the American Civil War
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Without Prejudice
Late one night, Robert Danziger receives an unexpected call from a childhood friend, Duval Morgan. Duval has spent more than twenty years in an Illinois state penitentiary for the horrific rape and assault of a young nurse. Now he is finally out. Robert has recently returned to his native city of Chicago to make a fresh start - but Duval is a voice from the past, and from a childhood Robert would rather forget. Robert reluctantly agrees to meet him, and is astonished to find he is proclaiming his innocence. But as Duval gradually starts to spend more time with the Danziger family, befriending Robert's wife Anna and young daughter Sophie, Robert's trust is pushed to the limit and he finds himself wondering what his old friend really wants. When Anna, a lawyer, takes up Duval's cause, Robert is reluctant to encourage her, for reasons he's not entirely sure of himself. Then just as Anna's investigations into the rape case start to make progress, Duval disappears.
A Time of Crisis
This special issue of the Bulletin reflects on some of the crises gripping our world in the present moment, including the catastrophic impact of the COVID-19 pandemic and the continuing tragedy of racial injustice. Voices from The Metropolitan Museum of Art present their personal perspectives on issues and challenges facing us all while connecting these difficult times to art, artists, and the Museum’s history. Conceived and written during the Museum’s unprecedented closure, this compelling publication reflects on art’s power to inspire, comfort, and heal.
Darwinian Agriculture
Harnessing evolution for more sustainable agriculture As human populations grow and resources are depleted, agriculture will need to use land, water, and other resources more efficiently and without sacrificing long-term sustainability. Darwinian Agriculture presents an entirely new approach to these challenges, one that draws on the principles of evolution and natural selection. R. Ford Denison shows how both biotechnology and traditional plant breeding can use Darwinian insights to identify promising routes for crop genetic improvement and avoid costly dead ends. Denison explains why plant traits that have been genetically optimized by individual selection—such as photosynthesis and drou...
