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Making Landscape Architecture in Australia
A history of landscape architecture in Australia, this book profiles the people who have shaped the nation's landscape and forged a profession: designers, architects, public servants, and activists. Using archival images and plans, it recounts milestones, including the creation of Melbourne's public parks and gardens, the landscaping of Canberra's open spaces, the design of infrastructure in Western Australia, and the reclaiming of Sydney's harbor foreshores. This account also shares describes how the distinctive shapes and forms of the landscapes that make Australian cities were determined.
Immigrant Industry
After the end of the Second World War, migrants were critical to the spatial making of modern Australia. Major federally funded industries driving postwar nation-building programs depended on the employment of large numbers of people who had been displaced by the war. Directed to remote, rural and urban industrial sites, migrant labor and resettlement altered the nation’s physical landscape, providing Australia with its contemporary economic base. While the immigrant contribution to nation-building in cultural terms is well-known, its everyday spatial, architectural and landscape transformations remain unexamined. This book aims to bring to the foreground postwar industry and immigration to comprehensively document a uniquely Australian shaping of the built environment.
Victims & Villains
A collection of projects by some University of Melbourne students involving dolls made up to look like victims and villains from Arthur Conan Doyle's books about Sherlock Holmes.
Green Fields, Brown Fields, New Fields
"The conference explores past and future approaches to managing and designing for growth, development and decline. This goes beyond debates over density, frontier development and renewal. It includes new fields of historical, policy and social research which inform discussion of heritage, growth, environmental, economic and other issues of urban life and urban form."--Page iii
Immigrant Industry
After the end of the Second World War, migrants were critical to the spatial making of modern Australia. Major federally funded industries driving postwar nation-building programs depended on the employment of large numbers of people who had been displaced by the war. Directed to remote, rural and urban industrial sites, migrant labor and resettlement altered the nation's physical landscape, providing Australia with its contemporary economic base. While the immigrant contribution to nation-building in cultural terms is well-known, its everyday spatial, architectural and landscape transformations remain unexamined. This book aims to bring to the foreground postwar industry and immigration to comprehensively document a uniquely Australian shaping of the built environment.
The Old Country
We are a nation of gardeners, and we take pleasure in tending our backyards. But this pleasure sits uneasily with our knowledge that the places where most of us live are running out of water. We suspect that our lawns and many of our plants from the damp climates of northern European gardens are too demanding of scarce supplies, but can't imagine our streets and gardens without them. The Old Country opens our eyes, and minds, to other possibilities. It does so by telling us stories about our natural landscape. George Seddon believes that the better we understand the delicacy and beauty of our natural environment, the more 'at home' we will feel as Australians. This passionate, wise and witty book, enriched with breathtakingly beautiful illustrations, suggests that the answers to our water problems lie here, at home.
Karl Langer
Despite a European training and an early career working with Peter Behrens, a migration from Vienna to the Australian state of Queensland positioned the architect Karl Langer (1903-1969) at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud and regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. This book will tell Langer's story through a series of edited essays focused on key themes and projects. Published as part of the Bloomsbury Studies in Modern A...
Gardens at the Frontier
Gardens at the Frontier addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary. Chapters cover a...
Brutalism Resurgent
Brutalism had its origins in béton brut – concrete in the raw – and thus in the post-war work of Le Corbusier. The British architects Alison and Peter Smithson used the term "New Brutalism" from 1953, claiming that if their house in Soho had been built, "it would have been the first exponent of the ‘New Brutalism’ in England". Reyner Banham famously gave the movement a series of characteristics, including the clear expression of a building’s structure and services, and the honest use of materials in their "as-found" condition. The Smithsons and Banham promoted the New Brutalism as ethic rather than aesthetic, privileging truth to structure, materials and services and the gritty re...
