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This book reproduces some of the finest examples of Mughal period paintings in the historic collection of the Bodleian Library. Many of these images are spectacularly rich in detail and have never before been seen in print. They include paintings made for the Great Mughals Akbar, Jahangir and Shah Jahan (1556-1658), not least the six illustrations from the celebrated Baharistan manuscript prepared for Akbar in 1595. There are also important works of the reign of Muhammad Shah (1719-48), as well as paintings from the courts of the Deccan and from later provincial Mughal centres in Oudh and Bengal.
The Ashmolean is fortunate in having the finest collection of Indian art in Britain outside London, one which includes many works of great beauty and expressive power. For this we are indebted above all to the generosity, knowledge and taste of our benefactors and donors from the 17th century to the present. This book offers a short account of how the collection developed and a selection of some of its more outstanding or interesting works of art. While it is written mainly for the general reader and museum visitor, it includes many fine objects or pictures, some of them unpublished, that should interest specialist scholars and students. Since 1987, the Ashmolean has made many significant ne...
Howard Hodgkin has been a passionate collector of Indian paintings since his schooldays, and his collection has long been considered one of the finest of its kind in the world. At times he has devoted as much effort to developing his collection as to his
The Ashmolean's holdings of Indian art are the most extensive in Britain after the great London collections of the British Museum and the V&A. This book is arranged chronologically in three separate sections -- Hindu, Buddhist and Jain sculpture; folk bronzes and paintings; paintings and decorative arts of the Mughal and British periods.
From 1000 B.C. to the 20th century, many diverse works of art were created in India for the life of courts and temples. This book features these works, as well as including background essays, which provide the context against which these works were produced.
Court Painting at Udaipur
As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and...
Robert Skelton, b. 1929, curator of Indian art at Victoria and Albert Museum; contributed articles.
These paintings reveal the resilient imagination of the traditional Mewar artists under the influences of the Mughal School and later of Western art and photography.
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.