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Die unter der Leitung von Prof. András Pálffy stehende Abteilung Gestaltungslehre und Entwerfen am Institut für Architektur und Entwerfen der Technischen Universität Wien gibt eine umfassende Publikation heraus, in der Resultate des Schwerpunkts präsentiert werden. Die Projekte waren jedes Semester unterschiedlichen Themenschwerpunkten gewidmet, die durch Kooperationen mit zahlreichen Institutionen und Personen entstanden. Die Aufgabenstellungen wurden im Arbeitsprozess präzisiert und in einen konkreten inhaltlichen und räumlichen Kontext gestellt. Die Themen "Weiterbauen" und "Bauen im Bestand" bilden hier den thematischen Ausgangspunkt.
With the success of Martin Scorsese’s Hugo (2011) and Michel Hazanavicius’s The Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent cinemas. This collection considers the latest return to silent film alongside the larger historical field of visual repetitions and affective currents that wind their way through 20th and 21st century visual cultures. Contributors bring together several fields of research, including early and silent cinema studies, experimental and new media, historiography and archive theory, and studies of media ontology and epistemology. Chapters link the methods, concerns, and concepts of early and silent film studies as they have flourished over the last quarter century to the most recent developments in digital culture—from YouTube to 3D—recasting this contemporary phenomenon in popular culture and new media against key debates and concepts in silent film scholarship. An interview with acclaimed Canadian filmmaker Guy Maddin closes out the collection.
This publication documents 14 selected projects looking at both realised buildings as well as competition entries. Among them are the Fridericianum exhibition rooms at the Dokumenta X in Kassel, the Generali Foundation, the Museum am Judenplatz and the S
Wolf D. Prix, founder of Coop Himmelb(l)au was more than 20 years head of Studio Prix at the Angewandte in Vienna. His architectural visions shaped the studio with radical concepts, high profile strategies and right from the beginning enabled students to develop projects for the world of the future. Studio Prix was a creative cluster with intense teaching. This publication contains a selection of projects and diploma works of students as well as statements of international friends like Hitoshi Abe, Hernan Diaz Alonso, Klaus Bollinger, Chris Bangle, Aaron Betsky, Mario Coyula-Cowley, Gregor Eichinger, Peter Eisenman, Zaha Hadid, Catherine Ingraham, Bettina Götz, Lars Lerup, Greg Lynn, Thom Mayne, Eric Owen Moss, Peter Noever, Carl Pruscha, Hani Rashid, Michael Rotondi, Patrik Schumacher, Peter Sellars, Lebbeus Woods as well as teaching staff and theoreticians such as Günther Feuerstein, Sanford Kwinter, Hans Ulrich Reck and Christian Reder.
Many contemporary building projects use pliant and economical concrete as their main structural material yet its use requires technical expertise, knowledge and experience. This book analyses 12 projects which cover both the practical and aesthetic aspects of the subject.
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