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András Visky's Barrack Dramaturgy
This volume is a collection of plays created by András Visky, one of the most innovative voices in Hungarian theatre. Translated for English-language audiences, the book provides critical analyses, scripts, director's notes and interviews with creative teams behind the productions to reveal a holistic, insider's view of Visky's artistic vision.
PERSPECTIVES ON SHAKESPEARE IN EUROPE’S BORDERLANDS
The format of the book as a collection of case studies is designed to highlight the variety and plurality specific for the translation and circulation of Shakespeare in borderlands. As the essays do not only cover a spate of locations, but also a large swathe of time, they have been organized in a chronological order.
REEIfication
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Remembering Our Future
How the issues of the past affect the future of Deep Church--a concept conceived by C. S. Lewis.Orthodox, Catholic, and Protestant traditions drink from the well of a common tradition rooted in the early church. Many Evangelicals are now reengaging with the practice of the early church as they seek to live as disciples today. Remembering the past is essential for facing the future. In Remembering Our Future leaders and theologians reflect on a range of issues for which a vibrant contemporary faith requires a careful listening to the past. What is the place of tradition in the church's life? How should we interpret the Bible? How should we worship? What, in other words, might Deep Church look like?
Bearing the Mystery
In celebration of the twentieth year of Image Journal, Eerdmans presents an anthology of the best of Images pages over two decadeswriting and visual art that highlight the rich and ongoing legacy of imagination fed by faith. / The volume includes essays by Annie Dillard, Ron Hansen, Ann Patchett, and Wim Wenders; fiction by Clyde Edgerton, Joy Williams, and Melanie Rae Thon; poetry by Scott Cairns, B.H. Fairchild, Denise Levertov, and Kathleen Norris; and gorgeous four-color art by Ed Knippers, Tim Rollins and KOS, Catherine Prescott, and Steve Hawley. / Image is one of Americas leading literary quarterliesand one of the top ten in terms of paid circulation. Its award-winning material regula...
The Contemporary Ensemble
‘Dr. Radosavljević has an excellent and extensive grasp of her subject, and deep understanding of not only the history of these groups, but how they function, and how each contributes to the field of ensemble theatre.’ – David Crespy, University of Missouri, USA Questions of ensemble – what it is, how it works – are both inherent to a variety of Western theatre traditions, and re-emerging and evolving in striking new ways in the twenty-first century. The Contemporary Ensemble draws together an unprecedented range of original interviews with world-renowned theatre-makers in order to directly address both the former and latter concerns. Reflecting on ‘the ensemble way of workingâ€...
The Glance of Countess Hahn-Hahn (down the Danube)
In The Glance of Countess Hahn-Hahn (down the Danube), Peter Esterhazy blends magic realism and travel narrative to dazzling effect. Esterhazy's hero is a professional Traveller, commissioned -- like Marco Polo by Kubla Khan -- to undertake a voyage of discovery and to prepare a travelogue about the Danube. Communicating his experiences through terse -- and at times surreal -- telegrams to his employer, the Traveller weaves a rich tapestry of narratives, evoking the dreamlike past and the precarious present of a disappearing world. Moving from the Black Forest to the Black Sea, Esterhazy takes the reader on a fascinating European journey of the imagination, down the Danube River, through Vienna, Budapest, and beyond the delta where the mighty river empties into the sea. Filled with allusion, fable, fantasy, history, and autobiography, The Glance of Countess Hahn-Hahn (down the Danube) is Peter Esterhazy at his scintillating, adventurous best.
Radical Revival as Adaptation
This book examines the radical reinterpretation of precursor texts and prompts as an innovative form of adaptation for the stage. In this context, stage adaptations are defined as active and risk-taking interventions on pre-existing sources, dramatic and otherwise, that can range from single-authored plays to collaborative creations and devising projects. Radical adaptations have the potential to constitute a cutting edge pathway of exploration in performance, by virtue of operating at the intersection between experimental practice and multiple creative transpositions and crossovers among genres and media. They offer a viable platform for the negotiation of topical concerns embedded into global cultural, socio-political and historical shifts, thus cultivating a genuine bond between theatre and society. This volume considers a range of case studies, from the work of Alexandru Tocilescu to Rimini Protokoll, and is vital reading for those interested in adaptation studies and forms of contemporary theatre practice.
A Book of European Writers
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
Contemporary European Playwrights
Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.
