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Drawing from more than two hundred examples representing twenty-two languages of wide genetic and typological variety, the author guides the reader through a broad collection of situations encountered in the analysis and practice of translation. This enterprise gains structure and rigor from the methods and findings of contemporary linguistic theory, while realism and relevance are served by the choice of "naturalistic" examples from published translations. Coverage draws from a variety of genres and text-types (literary works, the Bible, newspaper articles, legal and philosophical writings, for examples), and addresses a thorough selection of structural-functional aspects. These range from discrepancies between source and target languages in sentence construction, to dfiferences between source and target poetic traditions with respect to meter and rhyme.
This intermediate-level anthology offers a lively collection of writingsfor students learning Norwegian. Introductions to selected Norwegian authors, vocabulary lists, and maps promote discussions of Norwegian history, culture, geography and literature.
Volume 2.
New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.
Why and when do linguistic cleavages within a nation become politicized? Using Norway—where language has played a particularly salient role in the nation's history—as a case study, Gregg Bucken-Knapp explores these questions and challenges the notion that the politicization of language conflict is a response to language problems. He shows that political elites often view language conflict as a political opportunity, placing it on the policy agenda as an effective mobilizing tool to serve their own nonlinguistic political ends. Although language-oriented interest groups may fight to achieve desired language policies, they are generally unsuccessful when their preferences clash with the broader objectives of political elites. This book focuses on understanding just how language policies emerge.
What it means to me to be a critic/reviewer? For a lot of readers, a "reviewer" or "critic" is an embittered failed novelist or worse, a barely restrained serial rapist. Book critics may take the form of a dilettante, theorist, essayist, or even historian, but almost never reviewers, who sometimes lack the distancing from the text required by the demands of academia synthesis.
Only two months into his first year of junior high school, Markus has already fallen in love with all of the girls in his class.
To describe women in film history as ‘invisible’ may seem strange as throughout film history, women on the silver screen have given audiences their version of what it is to be a woman. And as film stars they have always been associated with the glamour of the film industry—the living embodiment of female attraction and pleasure. In Making the invisible visible, however, a group of researchers dissect the underrepresentation of women in areas of film culture often overlooked. Despite some significant differences—between countries, between eras, between kinds of job—production teams and film crews have almost always been men. Still today, many film professions are dominated by men. The authors explore women's scope for action in a variety of professional roles, based for example on discussions of LGBTQ+ identities in the film industry. The texts also present fresh perspectives on women actors and the nature of celebrity.