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Dramatizes Richard's rise to the British throne and his subsequent downfall, and includes criticism and notes on the play's text.
Contributed articles.
Literary modernism and its aftermath saw few more enigmatic practitioners than Henry Green. Green was a remarkably innovative and experimental novelist, while also being a keenly perceptive observer of the turbulent times in which he wrote. With his writing spanning the high-point of modernism in the 1920s, the turn towards greater social and political engagement in the 1930s and the search for new beginnings in the post-war period, Green's texts reflect some of the most important literary developments of the twentieth century. This book takes a fresh approach to Green, one that places his work firmly in its contemporary critical context. By exploring the insights of two of the most formativ...
This study of Shakespeares Falstaff versus Shakespeare Criticism takes a view of Falstaff that is critically unorthodox but which is supported by the text. This reading of the Falstaff plays sees the playwright basing his fiction on natural law, but bending natural law to present a world of personified natural phenomena. This reading is logically consistent, and conforms to all fictional requirements for necessity and probability, thus eliminating the supposed errors that criticism, which sees the plays as strictly realistic vehicles, appears to find in these plays.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
You may be aware that G. K. Chesterton authored influential Christian biographies and apologetics. But you may not know the larger-than-life Gilbert Keith Chesterton himself—not yet. Equally versed in poetry, novels, literary criticism, and journalism, he addressed politics, culture, and religion with a towering intellect and a soaring wit. Chesterton engaged his world through the written word. He carried on lively, public discussions with the social commentators of his day, continually challenging them with civility, humility, erudition, and his ever-sharp sense of humor. Today’s reader can find the same treasures, for as Chesterton said, “What a man can believe depends upon his philo...