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This survey of the Cleveland public school system provides fascinating insights into education in the early 20th century. The survey covers everything from teacher training to curriculum development, making it an essential resource for scholars of education history. The Cleveland School Survey is a must-read for anyone interested in the history of education or the development of American cities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A powerful story of young love in the aftermath of war, and quiet heroism in the face of death. Internationally acclaimed, ' Say No to Death' has been translated into fourteen languages. 'Dymphna Cusack... has created a number of attractive, likeable characters, given them a tragic dilemma, and moved them inexorably to a fine dramatic conclusion.' 'New York Times'
Presents an electronic version of "Syria: A Country Study," published by the Federal Research Division of the U.S. Library of Congress. Examines the geography, economy, government, national security, and politics of Syria.
Introduces the history, daily life, religion, social customs, and inventions of the Aztecs, along with descriptions of Tenochtitlan, its largest city.
For fans of Michael Connelly and CJ Box, the fourth suspenseful and thrilling novel in the Charlie Hood series from New York Times bestseller and Edgar-award winner T. Jefferson Parker, now featuring an excerpt from his upcoming novel The Room of White Fire. Charlie Hood searches for an undercover agent who has disappeared, only to resurface in a haunting series of bizarre and inexplicable video tapes. The trail leads Charlie into the fevered landscape of America's southern border and the unexplored depths of humanity's dark soul.
Sharks in Question is a collective response to the thousands of questions about sharks received annually by scientists at Smithsonian's National Museum of Natural History. Written in a question-and-answer format accompanied by more than 100 photographs and illustrations, the book provides knowledge for a general audience as well as students of marine biology. Victor Springer provides a comprehensive review of the biology of sharks in three broad divisions: shark biology and evolutionary history, the “supersharks” notable for their life history, size, or temperament, and the interactions between sharks and humans, including the risk of shark attack.
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask t...