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Signs of Friendship
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De Zuiderzee als transportlandschap
Binnenvaart over de Zuiderzee is zeer belangrijk geweest voor de spectaculaire groei van de vroegmoderne Nederlandse economie (1550-1700). Dat concludeert promovendus Wouter Waldus. Hij heeft voor zijn promotie de vloot van de turfschipperij op de Zuiderzee goed onderbouwd berekend en vergeleken met andere sectoren. Daarnaast heeft hij de Zuiderzee als maritiem transportlandschap volledig in kaart gebracht: vaarroutes, markeringen, redes, etc.. Zo kon hij het unieke karakter van het binnenvaartnetwerk duidelijk maken. Waldus vond tijdens zijn onderzoek ook aanwijzingen voor gezinsbewoning aan boord van binnenschepen rond 1650, veel vroeger dan tot nu toe werd aangenomen.
Neo-Formalist Papers
The essays have been grouped under the following headings: I. Language and the boundaries of genre.- II. Text and intertext.- III. Authorial status and modernity. Steene).
Poetics of the Text
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Materializing the Middle Passage
An estimated 2.7 million Africans made an enforced crossing of the Atlantic on British slave ships between c.1680 and 1807--a journey that has become known as the 'Middle Passage'. This book focuses on the slave ship itself. The slave ship is the largest artefact of the Transatlantic slave trade, but because so few examples of wrecked slaving vessels have been located at sea, it is rarely studied by archaeologists. Materializing the Middle Passage: A Historical Archaeology of British Slave Shipping,1680-1807 argues that there are other ways for archaeologists to materialize the slave ship. It employs a pioneering interdisciplinary methodology combining primary documentary sources, maritime a...
Miscellanea Slavica
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Character in the Short Prose of Ivan Sergeevič Turgenev
Hansen-Love, that the meaning of a work of literature is generated by the interaction of paradigmatic and syntagmatic mechanisms. The image of character in Turgenev's stories is the result of devices characteristic of "narrative" as well as of "verbal art". It is partly created with the help of leitmotivs that form sequences of equivalences, and of intertextual references. Thus (social) representation is supplemented by lyrical and philosophical overtones. Comparable observations have been made by V. M. Markovic (1982) on Turgenev's novels, as well as on those by Puskin, Gogol and Lermontov.
