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The essays have been grouped under the following headings: I. Language and the boundaries of genre.- II. Text and intertext.- III. Authorial status and modernity. Steene).
An estimated 2.7 million Africans made an enforced crossing of the Atlantic on British slave ships between c.1680 and 1807--a journey that has become known as the 'Middle Passage'. This book focuses on the slave ship itself. The slave ship is the largest artefact of the Transatlantic slave trade, but because so few examples of wrecked slaving vessels have been located at sea, it is rarely studied by archaeologists. Materializing the Middle Passage: A Historical Archaeology of British Slave Shipping,1680-1807 argues that there are other ways for archaeologists to materialize the slave ship. It employs a pioneering interdisciplinary methodology combining primary documentary sources, maritime a...
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Hansen-Love, that the meaning of a work of literature is generated by the interaction of paradigmatic and syntagmatic mechanisms. The image of character in Turgenev's stories is the result of devices characteristic of "narrative" as well as of "verbal art". It is partly created with the help of leitmotivs that form sequences of equivalences, and of intertextual references. Thus (social) representation is supplemented by lyrical and philosophical overtones. Comparable observations have been made by V. M. Markovic (1982) on Turgenev's novels, as well as on those by Puskin, Gogol and Lermontov.
Puskin's poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture - grand narratives such as the Don Juan legend and Dante's Inferno - as well as uniquely Russian myths. The contributors to this volume explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth - among these his recurrent emphasis on the symbolism of monuments and statuary.
The larger part of the present volume is about Slavic historical linguistics while the second part is about more general issues and methodological aspects. The initial chapters contain a revision of the author’s Slavic Accentuation and a discussion of the Slovene evidence for the Late Proto-Slavic accentual system and of the Kiev Leaflets. These are complemented by an extensive review of Garde’s theory and an introductory article about the work of earlier authors for those who are unfamiliar with the subject. Then follows a discussion of changes in the vowel system, Bulgarian developments, final syllables in Slavic, early changes in the consonant system, and of Halle and Kiparsky’s rev...