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Stages of Reality
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television. Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
Canadian Science Fiction, Fantasy, and Horror
Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.
Working on Screen
Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy.
Reading the Gospels in the Dark
Films with Jesus or Jesus-like characters have been part of movies since the earliest days, and Walsh explores just what kind of impact they have had on their audiences.
Literary Intermediality
The increasing transfer of literary texts and of related writing/reading processes from the printed page to analog and digital media (and vice versa) is the phenomenon under investigation in this book, for which the term 'literary intermediality' has been coined. Literature is 'in transit', i.e. travelling incessantly through mass-media, personal-media, and the internet, with crucial effects both on the ways it is perceived by younger generations of users and on the ways it is devised by contemporary authors. The literary text far from being restricted to printed media keeps moving across the whole media circuit, thus acquiring at any stage a new, temporary identity. Based on the seminar «Intermediality and Literary Practices» at the 7th ESSE Conference in 2004, the essays of this collection by scholars from both sides of the Atlantic focus on the seminar's common topics - cinema, theatre, postmodernism, and new critical issues.
The Cinema of Hockey
Ice hockey has featured in North American films since the early days. Hockey's sizable cinematic repertoire explores different views of the sport, including the role of aggression, the business of sports, race and gender, and the role of women in the game. This critical study focuses on hockey themes in more than 50 films and television movies from the U.S. and Canada spanning several decades. Depictions of historical games are discussed, including the 1980 "Miracle on Ice" and the 1972 Summit Series. National myths that inform ideas of the hockey player are examined. Production techniques that enhance hockey as on-screen spectacle are covered.
North of Everything
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
Encyclopedia of the Documentary Film 3-Volume Set
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
How Canadians Communicate III
What does Canadian popular culture say about the construction and negotiation of Canadian national identity? This third volume of How Canadians Communicate describes the negotiation of popular culture across terrains where national identity is built by producers and audiences, government and industry, history and geography, ethnicities and citizenships. Canada does indeed have a popular culture distinct from other nations. How Canadians Communicate III gathers the country's most inquisitive experts on Canadian popular culture to prove its thesis.
Stage-Bound
This acknowledgement of their dramatic origins has often led to criticism that these movies remain too rigidly anchored to the stage; too "stage-bound." Stage-Bound, the first extensive study of feature film adaptations of English Canadian and Québécois drama, challenges this reductive interpretation. André Loiselle demonstrates that theatricality is central to the meaning of these works. In the process, he reclaims these stage-bound films, which have generally been ignored by scholars.
