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Genre, Trope, Gender
Northrop Frye embellishes the theory of genre in "Henry James and the Comedy of the Occult." In "The Power of Postmodern Irony," Linda Hutcheon furthers her reputation as a theorist of contemporary culture, and Shirley Neuman investigates gender in writing and reading in "Autobiography, Mothers' Bodies, the Reproduction of Mothering."
New Century Abstracts
"New Century Abstracts is a six-person show featuring recent sculpture, painting, video, and mixed media work by Carlo Cesta, Cathy Daley, Sanaz Mazinani, Shaan Syed, Dermot Wilson, and Jinny Yu. These artists, working in abstraction, use repeated geometric pattern to present forms encoded with more than one context and meaning. This show will tour to Thames Art Gallery, Chatham/Kent in 2015 with a publication, including text by artist and writer Andy Fabo."--From publisher's website.
The Sexual Perspective
First published in 1986 to wide critical acclaim, The Sexual Perspective broke new ground by bringing together and discussing the painting, sculpture and photography of artists who were gay/lesbian/queer/bisexual. The lavishly illustrated new edition discusses the greater lesbian visibility within the visual arts and artist's responses to the AIDS epidemic. Emmanuel Cooper places the art in its artistic, social and legal contexts, making it a vital contribution to current debates about art, gender, identity and sexuality.
Canadian Art in the Twentieth Century
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
Captive Genders
"Captive Genders is an exciting assemblage of writings—analyses, manifestos, stories, interviews—that traverse the complicated entanglements of surveillance, policing, imprisonment, and the production of gender normativity. Focusing discerningly on the encounter of transpersons with the apparatuses that constitute the prison industrial complex, the contributors to this volume create new frameworks and new vocabularies that surely will have a transformative impact on the theories and practices of twenty-first century abolition." —Angela Y. Davis, professor emerita, University of California, Santa Cruz "The contributors to Captive Genders brilliantly shatter the assumption that the antid...
Borrowed Power
An informative and insightful collection of essays on cultural appropriation, focusing on America's appropriation and use of Native American culture specifically. The topics in this book covers topics from the arts, land, and artifacts to ideas, knowledge, and symbols.
Poetic Revolutionaries
Poetic Revolutionaries is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of texts by a range of writers for whom formal and poetic experimentation is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of avant-garde practice, intertextuality, parody, representation, and performance such as those of Mikhaïl Bakhtin, Julia Kristeva, Gérard Genette, Margaret A. Rose, Linda Hutcheon, Fredric Jameson, Ross Chambers and Judith Butler, these readings explore how a confluence of writing strategies – covering the structural, narratological, stylistic and scenographic – can work to boost a text’s subversive power.
Refigured Histories, Remembered Pasts
Group exhibition: Andrews, Stephen, 1956- ; Balser, Michael ; Boudreau, Charline ; Fabo, Andy, 1953- ; Golden, Anne, 1961- ; Morris, Regan, 1957- ; Valiquette, Esther, 1962-1994.
New Blood
New Blood offers a fresh interdisciplinary look at feminism-in-flux. For over three decades, menstrual activists have questioned the safety and necessity of feminine care products while contesting menstruation as a deeply entrenched taboo. Chris Bobel shows how a little-known yet enduring force in the feminist health, environmental, and consumer rights movements lays bare tensions between second- and third-wave feminisms and reveals a complicated story of continuity and change within the women's movement. Through her critical ethnographic lens, Bobel focuses on debates central to feminist thought (including the utility of the category "gender") and challenges to building an inclusive feminis...
