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Janelle Lynch: Another Way of Looking at Love
In 'Another Way of Looking at Love', the landscape is explored as a metaphor to consider the personal, societal, and environmental consequences of disconnection, and simultaneously, our yearning to be connected. From 2015-2018, Janelle Lynch (born 1969) has used an 8 x 10 camera to create still lives in the landscape that combine similar and disparate visual and biological elements. This process begins by identifying details in nature that, based on a unique vantage point, created geometric formations of closure. The connective point, or nucleus, that is created by the union becomes the artist?s plane of focus. The work is informed by Lynch?s recent immersion in drawing and painting from perception, primarily by charcoal mark-making?a new aspect of her practice that has allowed for a deeper inquiry into the nature of seeing, such as: formal abstraction, color relativity, and the notion of relationality.
Artist of the Day
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Nadav Kander
Published to accompany the exhibition 'Bodies.6 Women, 1 Man' at Flowers Gallery, 2013.
A Human Document
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National Gallery: Bosschaert the Elder: Still Life of Flowers (Foiled Journal)
Beautiful, luxurious notebook from Flame Tree. Combining high-quality production with magnificent fine art the covers are printed on foil in five colours, embossed then foil stamped. They're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap.
London Art and Artists Guide
The 'London Art and Artists Guide' provides information on art schools, museums, galleries, studios and the people involved with them. It also covers restaurants, markets and general features that relate to London.
Wild Animals in Acrylics
Appealing to nature and animal lovers in addition to artists, this collection of portraits gives painters the instruction they need to create realistic animals in the wild.
Laughing Torso
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
