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How can research on the social determinants of health be translated into real life public health practice? Challenging the research-practice gap, this text shows readers from a range of professions how their practice can help to minimise health inequalities. The social model of health embraces individual lifestyles, social and community networks, socio-economic, political and cultural influences and the plethora of factors that can impact on public health, for instance, education, work, welfare benefits, environment, housing, health and social care. All of these can have a significant effect on people’s experiences of health and well-being, and are often unrecognised sources of health ineq...
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How can research on the social determinants of health be translated into real life public health practice? Challenging the research-practice gap, this text shows readers from a range of professions how their practice can help to minimise health inequalities. The social model of health embraces individual lifestyles, social and community networks, socio-economic, political and cultural influences and the plethora of factors that can impact on public health, for instance, education, work, welfare benefits, environment, housing, health and social care. All of these can have a significant effect on people’s experiences of health and well-being, and are often unrecognised sources of health ineq...
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
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The never silent, hilariously thought-provoking,Tony and OBIE award-winning San Francisco Mime Troupe, in celebration of our 60 years of revolutionary theatre has put together an anthology of our scripts from 2000 - 2016. From the War on Terror to the War on Drugs, from genetically modified foods to financially modified democracy, from corporate personhood to Occupy to Trump - the Troupe has dealt with the issues of the day with our particular brand of outrageous, hard-hitting political musical comedies, tragedies, farces, and melodramas. Speaking truth to power, giving voice to the voiceless, comforting the afflicted, afflicting the comfortable, this collection of scripts is being provided - including introductions to the plays, photos, fan quotes, and artists biographies - at price every fan, supporter, student, historian, and comrade of the Troupe can afford… FREE!
Designed to effect change, this book teaches skills to develop healthy relationships. Self-assessments and questionnaires help readers apply Gorski's principles and practical skills to their own lives and move toward true, healthy intimacy.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)