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This fascinating glimpse into South America's past focuses on the works of four European voyagers who came to South America and left a legacy of travel writing in their wake: José Celestino Mutis, a Spanish botanist and doctor; Alexander von Humboldt, a German geographer; Maria Graham, a British historian; and Flora Tristán, a French feminist and labor activist whose father was Peruvian. Each took on his or her voyage as a personal endeavor, and collectively their travels covered the Andes from its northern traces in Venezuela to the southern heights of Chile and Arequipa. Their writing contributed to the construction of a complex map of the Andes in which many levels of physical and social geography may be read. By analyzing the travelers' narratives, illustrations, and maps, Ángela Pérez-Mejía unravels the rich complexities of the colonial travel experience, explores its impact on both the object of description and the traveler's subjectivity, and the collective readership seeking a discourse of nationhood.
In 1821, Maria Dundas Graham sailed for South America. After her husband, the ship's captain, died en route, the newly widowed Maria Graham resisted all efforts to hustle her back to England. She rented a cottage in Valparaiso and spent nine months travelling in Chile. This is her journal.
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La Facultad de Administración de Empresas Turísticas y Hoteleras de la Universidad Externado de Colombia presenta seis casos de procesos de extensión social con comunidades en situación de vulnerabilidad de diferentes regiones que buscan hacer del turismo una alternativa para mejorar su calidad de vida. Los seis casos tienen varias apuestas en común: el empoderamiento de poblaciones de base con miras al desarrollo local mediante el establecimiento de redes de colaboración estratégica, el autorreconocimiento de los valores culturales y sociales de dichas poblaciones, y la apuesta por tipologías emergentes de turismo. En respuesta a la problemática de pobreza e inequidad del país, el...
A través de un recorrido que va desde el Renacimiento hasta la posmodernidad, de las bellas letras a la cultura popular, y de la antropología a los discursos visuales, recorre el tropo del caníbal como símbolo de la condición de América Latina.