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STUDIO BERLIN, an exhibition produced by the Boros Foundation in cooperation with Berghain that opened in September 2020, presents the output of over 120 Berlin-based artists on all floors of the world-renowned techno club. The show features German and international artists working in photography, sculpture, painting, video, sound, performance, and installation art. Responding to the upheaval caused by the Covid-19 pandemic, STUDIO BERLIN is primarily designed to reflect current tendencies and changes in art and society and provide artists living in Berlin with a platform for their recent productions. With Yael Bartana, Monica Bonvicini, AA Bronson, Tacita Dean, Simon Denny, Simon Fujiwara, ...
Nerve sheath tumors can be a significant cause of morbidity for many patients. These include benign tumors such as schwannomas, diffuse and plexiform neurofibromas, and atypical neurofibromas, as well as the aggressive soft tissue sarcoma known as the malignant peripheral nerve sheath tumor (MPNST). Nerve sheath tumors occur sporadically and in the context of the clinical neuro-genetic tumor predisposition syndromes neurofibromatosis type 1 (NF1) and type 2 (NF2). Historically, the mainstay of treatment for nerve sheath tumors has been surgery. However, for both benign and malignant nerve sheath tumors, there is a high recurrence rate, highlighting the pressing need for novel therapies. As w...
Chaucer’s Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary ...
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Chaucerian Spaces explores the affect and the significance of space and place in the first six tales in Chaucer's Canterbury Tales. Relatively little has been written about space in the Canterbury Tales, yet the rewards for attending to this aspect of Chaucer's aesthetic are considerable. Space indicates the potential for characteristic action, development, and a more profound expression of being. In these tales, characters inhabit a landscape and places within it that express their inner life. Emelye in her garden, Palamon and Arcite in the grove—all occupy spaces or places that manifest social destiny and individual intention. Space and subjectivity change as territories give way to households, and the horizons of consciousness shrink to the core of human intent. Most striking is the transformation of women in place. Emelye, Alysoun, even Custance and the Wife of Bath, dwell in places that express their social and economic potential. They are in place, but place is also in them: they merge in metaphor with the places that express them, bringing the reader closer to the sensible, reflective experience of the medieval subject.