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The Iconography of Sculptured Statue Bases in the Archaic and Classical Periods
Angeliki Kosmopoulou demonstrates that relief bases present distinct, consistent iconographic and technical characteristics that differentiate them from related monuments."--BOOK JACKET.
Poliochni
None
Stephanos
The studies collected here are presented to Brunilde Sismondo Ridgway to honor an unusually inspiring and energetic teacher, a dedicated and prolific scholar, and a profoundly humane and caring human being. Bruni's passion for Greek sculpture, her constantly inquiring mind, and her bold questioning of long-accepted positions have sparked many stimulating discussions, often planting the germ of an idea to which students return in their own work. The themes here discussed reflect many of Bruni's scholarly interests. Most are on sculptural topics, but numismatics, architecture, and Iron Age Cyprus are also represented. Discussions focus on interpretations of technique and style, consider single sculptures, groups, and whole monuments, the well known as well as the unusual. University Museum Monograph, 100
Eupolis frr. 326-497
English summary: The series 'Fragmenta Comica' will provide a complete commentary on the fragments of Greek comedy. The aim of the commentary is twofold: on the one hand, it is meant to make accessible these mostly rather challenging texts from a number of different perspectives. On the other hand, it should help in the reconstruction the plays where this is possible, as well as in achieving a literary-historical classification of the authors. The fragments and testimonia will be translated. The results obtained in the commentary will be integrated into general surveys published in the Studia Comica series: on comedy and comedy techniques such as parody and satire as well as on its political...
Modes of Viewing in Hellenistic Poetry and Art
Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences. Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.
Voiceless, Invisible, and Countless in Ancient Greece
This volume brings together an international group of scholars to explore the experiences of subordinates and the nature of their subordination in ancient Greece. The work focusses on improving techniques for witnessing the lives of such groups, understanding their common experiences, and through these, seeing their common humanity.
Polis and Personification in Classical Athenian Art
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
The Codrus Painter
The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Pa...
Hellenistic Sculpture
Now available in paperback, this rigorous and challenging book questions the Hellenistic dating of many famous monuments, based on careful examination of evidence. "Fluently written, clearly organized, and thoroughly and impeccably documented. Anyone who has a serious interest in Hellenistic art will want to read it and refer to it."--Jerome J. Pollitt, Yale University
Displaying the Ideals of Antiquity
Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art historical, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors investigate how these ideals are kept alive today—an approach that often is neglected in studies on ancient reception.This book offers an international scope and illustrates how academic conceptual foundations influence museum exhibitions.This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors analyze close to 100 museums around the world, and demonstrate the ways in which ancient sculptures are mediated across Europe and the West.
