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S.D. Burman
SD, or Sachin Dev Burman, the man who gave Hindi film music its grammar, is perhaps the most enigmatic figure in Indian cine history. As the young scion of the Tripura royal family, SD struck out into the world of cinema and popular music. The early years were difficult, professionally and personally. His unconventional choice of profession and marriage to a 'commoner' caused his family to ostracize him, and his formal training was not enough to stave off rejections. This well-researched biography is both a tribute to a great artist, and a deep inquiry into what made his music great. Going well beyond merely listing his greatest songs, it explores hitherto unknown stories about the creation ...
Gaata Rahe Mera Dil
Look behind the scenes of fifty celebrated songs, from an estimated repository of over one lakh!'De de khuda ke naam pe': when Wazir Mohammed Khan sang these words in India's first talkie, Alam Ara, he gave birth to a whole new industry of composers, lyricists and singers, as well as an entirely new genre of film-making that is quintessentially Indian: the song-and-dance film. In the eight decades and more since then, Hindi film songs have enraptured listeners all over the world. From 'Babul mora, naihar chhooto jaye' (Street Singer, 1938) to 'Dil hai chhota sa' (Roja, 1992); from the classical strains of 'Ketaki gulab' (Basant Bahar, 1956) featuring Bhimsen Joshi to the disco beats of Nazia...
R. D. Burman -The Man, The Music
To a nation fed on classical music, the advent of Rahul Dev Burman with his repertoire of Western beats was a godsend. RD revolutionized Hindi film music in the 1970s, and with his emphasis on rhythm and beats, this Pied Piper of Hindi film music had young India swinging to his tunes. At the same time, this genius proved his many detractors who criticized him for corrupting popular taste wrong by composing some of the most influential raga-based songs in Hindi cinema and showing an immense comfort with all kinds of music, including Indian folk. RD: The Man, The Music looks at the phenomenon called R.D. Burman and how he changed the way Indians perceived Hindi film music. Through anecdotes and trivia that went into the making of Pancham's music - the many innovations he introduced, like mixed rhythm patterns, piquant chords and sound mixing - and through interactions with the musicians who were part of RD's team, the authors create a fascinating portrait of a man who, through his music, continues to thrive, even fifteen years after his death.
ICoRD’15 – Research into Design Across Boundaries Volume 1
This book showcases cutting-edge research papers from the 5th International Conference on Research into Design – the largest in India in this area – written by eminent researchers from across the world on design process, technologies, methods and tools, and their impact on innovation, for supporting design across boundaries. The special features of the book are the variety of insights into the product and system innovation process, and the host of methods and tools from all major areas of design research for the enhancement of the innovation process. The main benefit of the book for researchers in various areas of design and innovation are access to the latest quality research in this area, with the largest collection of research from India. For practitioners and educators, it is exposure to an empirically validated suite of theories, models, methods and tools that can be taught and practiced for design-led innovation.
Reaping Rewards
Reaping Rewards! Personally, I believe that each one of us has a story to tell at every stage of our lives! I don’t expect anyone to narrate every detail of their lives right from school to the profession! Reaping Rewards is just a fun thing wherein people expressed their inner feelings and happenings that they encountered and wished to share. The reading habit of people is diminishing. So, this was in-fact a massive attempt at encouraging people to write and read as well. The best encouragement for writers is when others read, appreciate, and maybe share their views on the writings. Reaping Rewards deals with Success achieved after struggles, one has a lot of inspiration and positive vibes to take away from each story. When one writes, one expresses; When one expresses, one feels elated; When one feels elated, one experiences true happiness! So, they wrote, they shared, they inspired … and spread happiness!
BollySwar: 1981 - 1990
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...
Of Reels, Romance and Retakes
Of Reels, Romance and Retakes carries the reader on a fascinating journey into the genesis, evolution and reception of Odia cinema. Telling the story of its quiet emergence in 1936, the book goes on to chronicle its unexpected triumphs in the coming decades when cinema arose as an undisputed cultural form of both the middle class and the masses. The account the book gives of how Odia cinema, aesthetically intertwined with the indigenous folk and literary tradition, carried forward both the project of modernity and Odia cultural identity is particularly illuminating and instructive. At the same time it takes an introspective look at the crisis Odia cinema faces now, sandwiched as it is between two competing social trends - one following the route to Hindi as the chief language of entertainment and the other that is focused on regional cultural assertion as a key to commercial success. On the whole, it is a timely and much awaited book that seeks to construct the hitherto uncharted ‘social narratives’ of cinema in Odisha.
Machines, Mechanism and Robotics
This volume includes select papers presented during the 4th International and 19th National Conference on Machines and Mechanism (iNaCoMM 2019), held in Indian Institute of Technology, Mandi. It presents research on various aspects of design and analysis of machines and mechanisms by academic and industry researchers.
Soft Computing Techniques in Engineering Applications
The Soft Computing techniques, which are based on the information processing of biological systems are now massively used in the area of pattern recognition, making prediction & planning, as well as acting on the environment. Ideally speaking, soft computing is not a subject of homogeneous concepts and techniques; rather, it is an amalgamation of distinct methods that confirms to its guiding principle. At present, the main aim of soft computing is to exploit the tolerance for imprecision and uncertainty to achieve tractability, robustness and low solutions cost. The principal constituents of soft computing techniques are probabilistic reasoning, fuzzy logic, neuro-computing, genetic algorithms, belief networks, chaotic systems, as well as learning theory. This book covers contributions from various authors to demonstrate the use of soft computing techniques in various applications of engineering.
Basu Chatterji
A behind-the scenes look at Basu Chatterji's most loved films This is the enigma of Basu Chatterji. His films did not have the box-office ingredients that could make them a distributor's hot pick, nor were they art house cinema that needed unravelling over many cups of tea. He was the quintessential 'middle-of-the-road' film-maker, a genre that he founded in Bollywood. His films, whether it be Chhoti Si Baat or Rajnigandha or Chitchor, were about common people and common problems, such as employment and love, social and economic inequalities, and joint family conflicts. Like fellow cartoonist R.K. Laxman, who created the 'common man', Chatterji too was an auteur of the common man, whose jour...
