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The Hard Return is a broken list of metaphors for the human heart. Or it's a troubling elegy for a disposable world. Alternating between loving descriptions of 21st century excess and awkward social situations, Marcus McCann's poems are sincere and ironic, sad and half-joking, often in the same instant.
The Old Man of the Mountain: The ‘Trial’ of the Assassin He was a powerful influencing reference as Britain’s Bernard Lewis, who would become the foremost authority on Islamic history and traditions, traced the origins of the 'Assassin sect' in the Shi’ite branch of Islam and began to chronicle both their doctrines and the life of their enigmatic founder, the legendary “Old Man of the Mountain.” The Assassins were the first group to make planned, systematic, and long-term use of murder as a political weapon, and their ideals and methods have since found many imitators. Bernard Lewis was just about to publish, in 1967, one of his first books entitled the “The Assassins.” Once ...
From the moment we learn to speak we are always using other people s words. the real made up improvises on this simple idea of imitation; mimicry becomes a kind of cadence for an interweaving of transcribed speech, ironic song, jarring randomization, post-colonial irony, and blatant theft. An incessant imitative dialogue shapes our neural and cultural networks; imitation is a source of power for any subculture, and the primary means of a colonizing process that should be seen as violent. But imitation is not a simple act of copying; at its best, imitation is
This collection of poems examines the features of humanity's nomadic trajectories with different lenses: the present moment, the collected or archived past and (im)possible futures. By turns objective, personal, quizzical, and ironic, these poems explore the influence of form on perceptions.
The first book-length exploration of climate-driven reproductive anxiety that places race and social justice at the center. Eco-anxiety. Climate guilt. Pre-traumatic stress disorder. Solastalgia. The study of environmental emotions and related mental health impacts is a rapidly growing field, but most researchers overlook a closely related concern: reproductive anxiety. Climate Anxiety and the Kid Question is the first comprehensive study of how environmental emotions influence whether, when, and why people today decide to become parents—or not. Jade S. Sasser argues that we can and should continue to create the families we desire, but that doing so equitably will require deep commitments ...
From one of the most prolific and engaged book reviewers in Canada over the past 15 years, this collection of essays and reviews showcases the literary insight of rob mclennan. The works of such Canadian poets as George Bowering, Margaret Christakos, and Barry McKinnon are addressed and analyzed, as is the status of Canadian poetry as a whole. Mclennan’s own investigations into the craft of writing are uncovered as well. Strikingly innovative and refreshingly communal, this compilation works as a whole to demonstrate how mainstream Canadian literature can be reconciled with the art of fringe authors.
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The fourth issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue features writing by rob mclennan, Kim Fahner, Catherine Mwitta, Jennifer LoveGrove, Anita Dolman, Sarah Elahi, Ace Boggess, and Sarah Campbell and artwork by Laura Boyle.
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