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David Smith in Two Dimensions
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906Ð1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in coun...
Henry Moore, Sculpting the 20th Century
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on ...
Art for Wales
An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor whose generous bequest of his art collection and entire net estate coincided with a reappraisal of the role and workings of the National Museum of Wales and led to the formation of the Derek Williams Trust in 1992. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Trust over a period of over 25 years, ranging from painting to ceramics, photography and digital media. Illustrated with a wealth of artworks from the Trust s collection and related exhibitions.
Anthony Caro
Bringing together previously unpublished selections from Caro's correspondence with critics and artists, Ian Barker presents a comprehensive overview of the artist's achievements to date.
Espaço Aberto/espaço Fechado
Brazil has been a major site of modernity for all art forms. By using the first Saõ Paulo Bienal in 1951 as a starting point, this exhibition highlights some key moments of experimentation to have emerged. The selected works illustrate how sculptors have explored potential sites to locate their work outside the formality of the gallery or museum.
The Vanishing Act of Esme Lennox
From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
