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Creating Florinda
Angie and Artie are ecstatic when he finally publishes his first novel. But Artie falls into deep depression when bad reviews start flooding in. Angie desperately tries to find a solution to save her husband. She has an idea which works wonders, but with dire consequences...
Make a Wish, Sophie!
Sophie and Rita had been like sisters since they met in high school. And, like sisters, they had their ups and downs. But Sophie was not prepared for the perverse plan that Rita had been weaving for her, and which would culminate in a surprisingly demented conclusion.
Italian Gothic Horror Films, 1980-1989
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Italian Gothic Horror Films, 1970-1979
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.
Danger: Diabolik
Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal—part Fantômas, part James Bond—and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys. This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella. It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000.
German Popular Cinema and the Rialto Krimi Phenomenon
German Popular Cinema and the Rialto Krimi Phenomenon: Dark Eyes of London examines the Kriminalfilme—or Krimis—based on the novels of English author Edgar Wallace, released by Rialto Film between 1959 and 1972 as part of the post-World War II era of German popular cinema that enjoyed extraordinary popularity with the German public. Nicholas G. Schlegel analyzes how this group of West German thrillers not only nurtured a convalescing film industry, but also provided unequaled national entertainment while canonizing Rialto’s Krimi productions in terms of their historical genesis, aesthetic characteristics, and social reception. Schlegel surveys the Krimi’s enduring legacy, calculable global influence, inevitable decline, and eventual migration to television in the 1970s, where it thrived but ultimately took on a more somber tone. Scholars of film, television, history, and German culture will find this book particularly useful.
World Textiles Atlas
The World Textiles Thesaurus provides a unique hierarchical overview of all key concepts that are relevant to navigating scientific literature in the textiles and fibres domain. Both the Tree Structure and Term Relations are available for building sophisticated search strategies. In constructing the World Textiles Thesaurus, the same editorial rules were applied as to other successful thesauri such as EMTREE, the life Science Thesaurus.In addition to the Thesaurus, the World Textiles Atlas offers a comprehensive listing of all journals indexed in the World Textiles Abstract database, publishers' details, plus two extensive lists of major Textile Conferences and Organizations.
Christopher Lee and Peter Cushing and Horror Cinema
From their first pairing in Hamlet (1948) to House of the Long Shadows (1983), British film stars Christopher Lee and Peter Cushing forged perhaps the most successful collaboration in horror film history. In its revised and expanded second edition, this volume examines their 22 movie team-ups, with critical commentary, complete cast and credits, production information, details on cinematography and make-up, exhibition history and box-office figures. A wealth of background about Hammer, Amicus and other production companies is provided, along with more than 100 illustrations. Lee and Cushing describe particulars of their partnership in original interviews. Exclusive interviews with Robert Bloch, Hazel Court and nearly fifty other actors, directors and others who worked on the Lee-Cushing films are included.
Sustainable Style
Sustainable Style: The Ultimate Guide to Ethical Fashion by Fiona Sterling is your essential companion for making responsible and stylish fashion choices. In a world increasingly concerned with sustainable living and ethical consumerism, this book sheds light on the importance of knowing the story behind the brand and its production practices. Fiona Sterling, a discerning shopper and passionate advocate for ethical fashion, guides you through the principles of sustainable style. Discover how fashion can move society forward by reflecting the spirit of the era and addressing pressing ethical issues. Learn about the environmental and social benefits of sustainable fashion, which prioritizes minimal natural resource usage, environmental friendliness, and fair trade practices. By choosing ethical fashion, you contribute to making the world a better place, one stylish outfit at a time. If you're committed to finding unique, responsibly-made items for your wardrobe, this guide will help you shop with confidence and pride.
